Writing and Politics are often on my mind: takes sides or stay quiet?
Elections in Germany, Italy, the ongoing Brexit-chaos in the UK, extremist governments in Poland and Hungary, not to mention the reality show called “The White House”… It seems the world is going nuts. Politicians seem to no longer care about lying in public, quickly having learned from the American President that you can get away with murder (or was that the Philippine President?) It makes it almost impossible for voters to make a sensible choice. Artists have always been right there, in the middle of the vortex, either applauding benefactors or criticizing power. Writing and Politics is something always on my mind. What is our responsibility?
Everything is politics…
I recall the above statement from my college days when we were asked by a professor what politics was. The ultimate answer was “everything” in life, because it is all somehow influenced by the state, by society, and thus, politics plays a role. Which of course makes it difficult to stay away from politics in writing. Even the fluffiest of romance novels is somehow political, as it will have a conundrum at its core, misunderstandings, hinders for the loving couple-to-be to overcome. That conundrum, those hinders are politics or could be. There is a reason to assume that not everyone will agree and that people could potentially take different sides. I’ve noted that in many cases, no matter the question, if taken to the public, people will have a tendency to split evenly, almost fifty-fifty, for and against.
I have no doubt: whatever we write about is politics. I was thinking about a line in my coming novel, where my Korean character openly laments the Japanese occupation in very strong words, while the MC tries to offer a different view. I’ve been thinking about that paragraph again, and again. Leave it there? Take out those two sentences to “diffuse” it? There are other similar examples. It’s difficult to avoid in a novel which plays out against the backdrop of a war that still affects our geopolitical situation.
What is a writer’s responsibility?
A question I often contemplate is this one: do I have a responsibility to take sides? Actively? Many famous authors and artists do, be it Stephen King (who was “blocked” by 45 on Twitter) or J. K. Rowling, who takes sides on a great many issues on her Twitter account. But what about our writing? I often think about this, not just in terms of politics. We have more than one character, and we can allow different characters take different sides. I specifically recall my novel Jonathan’s Promise, where I was exploring the limits of “for better or worse”. No answers, just the question. I wanted to let it play out, not having made up my mind on the issue. One character got to take one side and another the opposing, and I let them work it out.
Is this a workable theory for politics, too? It is the approach I’ve taken with the example above, re the Japanese occupation. Yet sometimes, it isn’t quite as simple. Some questions are more important to me, they are issues where I have a clear view. Let’s take women’s rights or civil rights. Or LGBT rights. In the new book, they’re all thematized. It’s impossible for me to mention e.g. comfort women and not condemn that. It’s impossible for me to not condemn the ongoing institutionalized racism in the U.S. I’d not be painting a very accurate picture of the lives of the African American people, would I? The same is true for the LGBT community suffering a horrendous backlash at the hands of the current regime in Washington.
Silence is being an accomplice
Here’s my take: if you stay quiet, you’re an accomplice. If you mention that a woman worked as a comfort woman under the Japanese occupation of Korea, as a fact, and you don’t say what a horrific practice that was, you’re an accomplice. If you mention how blacks are stopped on the streets by the police because they’re black, and you don’t mention that this is racist, you become an accomplice. I don’t believe that we as writers have the luxury to “not take sides”, not in the long run. At the end of Jonathan’s Promise, I had arrived at my personal POV, and it was instrumental in the resolution of the novel.
The same is my take on my writing in general. I may use my writing to weigh the pros and cons of complex issues, but once I arrive at a stance, I will make that known. Not in my own voice, but through my characters. I am a citizen of this world, and I have a responsibility to work for its betterment, to contribute to a world that is a better place. I understand that not everyone will agree with me. Others may take opposing sides. I may offend, I may hurt, but I may also embolden, strengthen! Each piece of art is part of a discourse.
What is your take? Agree, disagree?
Writing and politics; hese are my personal views, of course. I’m fully aware that taking sides in contentious issues puts the author at risk. Bad reviews, public persecution even. But that is a risk we must take, or so I think. Feel free to contribute! As always, if you like my blog, my writing, feel free to subscribe to my monthly newsletter (top right on this page) with competitions and hopefully interesting reading. Interact with me on Twitter, Facebook, YouTube, and/or Instagram. Have a great week.