Eleven months ago, today, I embarked on an incredible journey…
Two months from now, the book will see the light of day. It’s funny to go back and look at the date a file was created. Thursday, March 28, 2019, at 15:46. I remember it well because the circumstances of Matt’s appearance in my life were unusual. He suddenly popped up as I was out and about walking across the island, as I did every Thursday back then. I vividly remember the spot, an area carved out by ice age glaciers just before you climb up a small hill, trees all around the path. After returning home from that walk, I began writing. A lot has happened since then, one of which is that I’ve barely blogged in recent months. My apologies. I’ve recently taken up a small consulting gig for an IT firm in town and I’m working more than 50% there, which takes two valuable days out of my schedule for writing. On the other hand, my bank account is looking more pleased than in a long time.
Matt: from hereon in
I finished the manuscript in January and have since been working on covers. it depicts a lighthouse in the fog, but unlike the white light of a regular lighthouse, the one on Matt’s cover is green, which is eventually how Matt will learn to communicate. With a green light, not a lighthouse. 😉 The next step on getting the book out include, of course, typesetting, editing, and proofing, but also the recording of the audio version. I can’t wait to hear the magic Vance will bring to this story.
I created a short teaser trailer, have a look:
A difficult topic
To write about someone who’s “unlike” the author is always tricky. Last summer, I attended an LGBT event in the US where someone from the disability community quite vocally accused me of not knowing wtf I was doing because the back matter of my novel Spanish Bay used the word “wheelchair-bound” instead of “user” as the current nomenclature recommends. It was a harrowing experience because said person had neither read the book nor considered that the US isn’t the only place where people speak and use English. Don’t get me wrong. My publisher and I immediately updated the cover to reflect the updated language and I am well aware that language is a living matter that changes and evolves. And I am happy to learn about such changes. It wasn’t the message per se that shocked me, more how it was presented with the explicit accusation of not caring, of attention-seeking, of appropriation.
At the time I had already begun work on Matt, and I was deep in research about his capacity, physically, mentally and emotionally. Matt suffers from cerebral palsy and while I have close friends who live with this affliction, none of them are as impaired by it as Matt. My research had to go deeper and so I reached out to people in the field who work with people like Matt. While they may not have the same diagnosis, the effects of how their body responds are similar: lack of movement, lack of the ability to communicate freely. All the while writing and changing, with the fear of getting it wrong in the back of my mind.
Fear of appropriation
We live in a day and age where minorities have more voice than ever before, which is a great thing. And unfortunately, some people tend to take (still) advantage of others, for personal gain, for political reasons or as the pun of a joke. When you write about a character for the sake of checking a box, I can understand that people might react. I sometimes feel the same when I watch movies or a TV show that highlights LGBTQ characters. Are they in there to tick off that box or do the creators genuinely wish to reflect the fact that we are everywhere in society? Not always easy to answer.
My characters pop up, out of the blue, but they obviously don’t do so without some sort of context. I have a very good friend to whom I speak almost daily, and as she is differently-abled herself, the topic of disabled characters in books comes up every now and then. I should probably write “the lack thereof”, as there are few books who showcase differently-abled characters in the main role. I was very proud of having written Spanish Bay, with the main character a wheelchair user (see, I learn), and I stand by my book, the story, and the cover. I guess Matt is born of the many conversations with Tracy, my upbringing around people with mental impairments (my mother’s best friend’s daughter, probably fifteen years my senior, was severely impaired, but that didn’t hinder us kids from playing together just fine.) As a father, I think it’s important to teach my son that the value of a living being is constant regardless of their physical appearance or mental capacity, whether we are talking about animals or human beings. At the core, I believe that this is what humanity is all about.
A fictional character, but
I have read many posts, comments, and reviews of books where people comment that the character “isn’t like me” and therefore cannot be realistic. Well, here’s my take on this: it doesn’t matter if a character isn’t like you, isn’t a mirror image of what you are like. That is true for many reasons. I don’t disavow Romeo and Juliet because they’re not like me (gay.) I don’t toss Harry Potter aside because he’s got dark hair where mine’s dark blonde. The problem is labeling books as being of a certain “kind”: this is a gay book (which kind of turns away straight readers) or this is a “disability book” as if it’s only meant to be read by people with disabilities. We have a tendency to box ourselves in so much that we expect to read fictional stories about ourselves rather than trusting various authors’ capacity to create stories that speak to the human condition.
I’m always saddened when people say “I can’t read your books, I’m not gay.” Well, my books are hopefully good enough to appeal to every kind of person interested in a certain topic, and hopefully, I’m a good enough author to bring people of different backgrounds closer to whomever, regardless. Empathy. That’s what this is all about. On the flip-side, labeling helps authors and publishers to market books. If you want to read about a gay character, you will find my books that way, even though the story may be about Alzheimer’s, or being of old age or, as in Matt’s case, being unable to communicate with your surroundings. But most importantly, if there is any message that spans across all my books, it’s that we are all human beings, regardless of who we are and the things we go through. You could say that I write about the human condition but from the point of view of a very specific subset of people.
Coming April 30, 2020
Matt-More Than Words is coming April 30 from my publisher, Beaten Track. And as with each and every one of my novels, I’m really looking forward to this one. It is an important story for a great many reasons, and I hope it will find a home in many readers’ hearts. Matt will also find another way to express himself. I am part of a write dance project and in May we’ll go on tour with our work. I am working on a poem about Matt, and together with an amazing dancer, we’ll perform a piece. I was intrigued by the challenge to put in words (poetry) Matt’s predicament of being unable to communicate, and almost more so about dancing the inability to move voluntarily. Izabell, an insanely talented dancer has taken early drafts of my poem and sent me a recording of an improv dance she’d created. Based on her dance, I went back and re-wrote the poem. We bounce off of each other to create a piece that hopefully will hold up and can be displayed to an audience here in West Sweden and Oslo, as we go on tour in May. Stay tuned, either here or on my Facebook page, for updates.
Have a great weekend,