Authors are not unlike readers, we’re not Chucky (Exceptions probably apply)
When memes kill off your favorite conversations…
I stumbled across this meme on a friend’s wall on Facebook the other day. I commented on it with a GIF because why not. Since we seem to be conversing with memes others make for us, why bother replying with words…
It’s a stupid meme for starters, exaggerating things beyond any measure of what could be considered appropriate given the topic we talk about: books. Words like “murder” and “hate” feel weirdly over the top. This is after all not your children or partners we talk about. I think most readers realize that unless they’re Annie Wilkes in Misery. I know for a fact that my friend is not. Alas, memes… Nuff said about that.
Let’s forget the stupid meme and focus on the topic it seeks to highlight:
– The loss of an important (main/secondary character in a book
– The reaction from the writer
– The reaction from the audience
As a rule of thumb: a book where no one dies isn’t fiction, it’s fantasy (not the genre)
As the writer of seventeen full-length books, I know a thing or two about writing. Books mirror life in general and as such, they have to relate to life. If you happen to write instruction manuals for self-sealing stem bolts, this does not apply to you. Death is the ultimate consequence of life, its culmination. If life were sex, death would be the orgasm. You just can’t have life without death. (Yeah, no, the sex metaphor just died a painful death here…) If you write a book that plays out during a very short period of time, e.g. a day or a week or two, maybe even as long as a year, you can get by without anyone dying within the framework of the book.
But more often than not, books look back, they look forward, they cross decades, span across generations and they get to the point where death becomes a necessity. In my first novel Family Ties, nobody actually dies in the book. It plays out in just twenty-four hours (plus the epilogue) yet death is omnipresent, as a funeral is the spark that ignites the story.
I have been criticized by some who strongly dislike (to avoid the term above) the epilogue in Jonathan’s Hope (don’t believe me? Head on over to GollumReads and check out the reviews… I dare you.) They claim that Dan’s death at the end of the book did nothing to further the plot (as we authors often claim) and that it was utterly unnecessary. They must’ve have read a different novel altogether. And that is fine. Allow me to explain the misunderstanding.
There’s a reason for everything authors do, particularly when they do away with an important character…
You can read a book in many different ways. You can apply feminist glasses, a hermeneutic approach, a biographical one, a queer one, etc. Or you can try and squeeze a book into a genre and read it as such. You can read Romeo & Juliet as a romance novel, but you’d be disappointed with its ending (as it defies the romance genre’s call for a happily ever after.) Or you can read it as the drama that Shakespeare intended it to be and work through all the heartache and get to contemplate the many layers of subtext and the social criticism the play is laced with. Far too many lessons in his play are valid to our days. Alas, since forbidden love is still a thing, the “unhappy ending” makes a lot more sense than that which might make us feel good for the moment but wouldn’t make us think about what the author is trying to say.
Escapism genres tend to be shallow, and there’s nothing wrong with that (you’re probably not escaping fluff on cloud number nine), but if a book, a story, shakes you to the core, chances are the author is trying to tell you something (and no, I’m not about to debate exceptions, because that’s what they are.) In Jonathan’s Hope, there is a very good reason for the epilogue. The book’s title alludes to it, hope. Four letters, but they fuel the very life we lead. Without hope, it is questionable if we’d be able to live in the first place. For Jonathan, the epilogue is hope materialized. The hope of finding love, the hope of building a family, being happy, living a fulfilled, meaningful life. That is what the seventeen-year-old dreams about as he faces what seems certain death in the early pages of the novel.
As an author, I try to provide hope in my writing as well, and the book, despite the “death” of a main character, does provide hope anew. Looking around himself, beholding his family standing all around him, fills Jonathan with renewed hope and the knowledge that life is still worth living.
The death of a character is not something we do easily, the pain is quite physical
Yes, we sometimes have to let a character die. Yes, the plot demands it. My novel Last Winter’s Snow would be utterly meaningless without Casper’s death, the very premise of the book, how do you survive the loss of your partner. It’s what the novel is about. There are countless examples in literature of death being at the very core of the plot. Allow me to mention two from the LGBT world: Death in Venice and A Single Man. Remove death from those stories and consider the truncated stories and the impact they would’ve had on world literature. None whatsoever.
No writing project has ever caused me such pain as the death of Jonathan.
When I began writing the sequel to Jonathan’s Hope, I promised (sic!) myself that the novel would end with Jonathan’s passing. I had one important reason: I didn’t want to write a series around him and Dan, and I thought (naïvely, I admit) that writing a novel about the autumn of Jonathan’s life would ensure that. Alas, what sounded like a great theory was quite a different thing when I finally got to that point in the novel, when I was sitting at my laptop (as I am now), writing the actual words.
I hadn’t really planned for how his passing would come about, had no idea how or when it would occur. Suddenly (probably nudged by the word counter and the setting of the previous scene), I realized that the premise of the book was fulfilled, and that final chapter began to magically pour onto the screen. I remember it all too well. It is one of those moments in my life I will always remember vividly, similar to 9/11 or the Challenger disaster. Before I was done, my view clouded and as the tears were flowing freely from my eyes and onto my glasses. I was barely able to finish it, and the book does end rather abruptly. Quite unusual for me (hope anyone?) I just couldn’t go on.
Now, this isn’t exactly something to brag about, but I suffered a nervous breakdown, sobbing for hours, curling up into a ball of misery in my writing corner. I was utterly devastated. Jonathan, as fictional as he may be, had been a very close companion of mine for two years, and he’d nestled himself into my heart in ways I had not anticipated. It took me hours to pick myself up from the gutter, after long discussions with both my publisher and my husband, before the realization dawned on me: I had to press on. I had to write another book. Not for my readers, just for me. I had to fix it. I had to make it right. I needed to provide closure. Jonathan’s Legacy is probably my ‘sappiest’ book, with the happiest ending ever. So much for us authors killing for fun!
What about readers? Don’t you care about them/us?
There is probably a difference between “artsy” authors and “crafty” writers (and this is not a qualitative distinction.) The latter write primarily for money, but I’d say even they care deeply for their readers, even if it may be for different reasons, aka “I can’t afford to piss them off or they won’t buy my next one…” Needless to say, such books tend to stay clear of the strongest emotional expressions, they won’t deal with the darkest aspects of humanity. Those topics just don’t lend themselves to the business of money-making.
This book strikes a special note with many readers because as painful as it may be at first, it is strangely cathartic for many.
I’m definitely an “artsy” writer. While I like my books being bought (thanks to those who do!), that is not my driving force, or I would’ve taken that hint a long time ago and moved on to more lucrative pastures. Instead, I write the books that I have to write, I explore the topics I must because my brain is strangely wired, which is why I write about losing a child because I’m a parent, it’s a real-life fear of mine. Ask ANY parent. It’s why I wrote Disease because Alzheimer’s is a thing in my family, etc. It’s why I wrote that book about losing your partner, or love at old age or, or, or… Those were all questions that were on my mind in my very personal life at some point or another. Writing allows me to consider the pros and cons in a safe environment. Cynics might say I’m being paid for my own therapy sessions!
Am I aware that it might hurt readers? I’ll be honest, it’s not a concern when I write because I have to do what I have to do it in order to write the story that needs to be written. But I’m not some cold-hearted bastard who shrugs at the emotions felt by people who read my books. Quite the contrary. Readers’ tears are my silent applause. And since I’m not paid much…they keep me going, and I strongly believe that emotions are a good thing. However, and this is an important caveat: I will not allow anyone else’s emotions (or vision or views) influence my writing as it happens, at least not consciously. It is my story after all, and I will tell it the way I feel (strongly) it must be told. I hope that makes sense to you. If my subconscious picks up on stuff is a different thing entirely. Even the stupid meme here did–after all–prompt this blog post and much contemplation on my part.
I look forward to hearing your (side of the) story. Authors, how do you go about writing death? Readers, have I missed something? Let’s have it and please use your words… This is a writing blog after all.
With the manuscript sent to the publisher, it’s time to focus on the next project
In case you don’t know what a writer’s work entails, here’s a quick summary: we write a book, send it to our publisher, wait for edits to come back, then edit the edits, re-write what needs to be fixed and send it back. Follows proof-reading and publishing. If this isn’t your first book, you also spend time marketing previous book(s) and you work on a plan on how to market the new one and you do admin, just like any other job. This is, of course, a simplified view. Writing a book can take anything from a couple of weeks to a lifetime. But when you’re done, and before you embark on your next project is a scary time for some of us, filled with angst, but also joy.
Anxiety and Anticipation rolled up into one? How does that work?
My fantasy novel is the first book in a planned series of three. A story for youths and teens primarily dealing with the big threats our planet is dealing with today.
I’m not sure I can adequately describe the emotion or the melange of feelings that fill me at a time like this. This is the second time in my short career (I’ve only been writing for six years) that I’ve been in this situation. I submitted book three of my Golden One series to the publisher last week. It’s not due until September, giving me ample time this year to write. There’s nothing that says that any other book of mine will see the markets this year. Two publications are what my publisher musters. So in all likelihood (unless it’s a small project), whatever I write next won’t be published until 2020.
My planned novel about a dystopian future world turned into the opposite: a story about hope and a utopian Earth, five centuries into the future.
That gives me time, which is a blessing, a boon. But it’s also scary, for more than one reason. The blessing is that I can go for a long walk in my island’s local forest and just enjoy myself. I can read the placards about stone-age cultures and dream about writing a novel about that or I can be inspired by a sci-fi book I read to write my own hard-core sci-fi novel with starships and aliens. While Willem of the Tafel is a beautiful story of a future Earth, and technically qualifies as sci-fi, it’s not the Star Trek / Wars sci-fi I grew up with. A challenge for sure.
On the other hand, there’s the anxiety of not making any money, not being productive, seeing my husband report for his daytime job every day while I do nothing? You have to actually live through that to understand just how frustrating and emotionally taxing it can be. This isn’t the first time I’m in this position. I recall a period three years ago, after finishing the Jonathan Trilogy when I felt the same way.
The sooner you accept it, the sooner you can be creative again
Only a mock-up, not the real cover, obviously. I should have that in a few weeks, as part of the build-up toward the release in March.
One thing I learned from my previous ‘stint’ with anxiety/anticipation is that the sooner I accepted the fact that the emotions were natural and that there was nothing I could do about them except accept them, the sooner I was able to move on and actually write again. I am very proud of the books that followed Jonathan’s Legacy: Last Winter’s Snow, Disease as well as Returning to the Land of the Morning Calm are books I am incredibly proud of. Very different in tone and style, they represent some of my best writing to date.
So while I’m always anxious about the next book (will it be good enough? Will I finally be ousted as the fraud/incompetent writer I am? etc.), I also feel less stressed about it than before. I know that I can continue to write, there isn’t really a lack of ideas, but obviously, some of those will require more research. I can write short stories and I have my children’s book series to work on. The question is more “what” then “when”. The anxiety… LOL
Meanwhile, I enjoy the limbo. I know it won’t last, because the hamster wheel that is a writer’s job (any job, really) implies that before I know it, my publisher will send me the edits to book two of The Golden One–Deceit, and I’ll be knee deep in work again: editing, proofing, marketing. The Golden One–Deceit will hit bookstores on March 17, 2019. That is sooner than I care for…
An interesting take on ancient Chinese myths, and the game of Mahjong
The Seed of Immortality is not a book you easily come across, it literally disappears behind all the naked torsos that dominate the Gay & Lesbian section. Yes, it’s on sale on Amazon, but I don’t think I’ve ever searched for a book under “Chinese” or “Historical” in my life. Instead, I happened to talk to the author, Wayne Goodman, about his writing after he’d interviewed me for his podcast Queer Words. Coincidences. He graciously made the book available to me and I read it with gusto over the Holidays.
I’ll be frank and admit that I have no clue how to play Mahjong and after reading the story, I’m no more interested to learn the game than I was before. To each their own. But even if you’re like me, you might enjoy this book for its story. This is an extremely well-written tale, and I don’t say that out of a false sense of gratitude toward Wayne for granting me a spot on his podcast. No. I really think this is an interesting story, in part because he so aptly captured the way Chinese conversation flows, how he depicts the time period and the flow of the narrative.
A great fan of China
The cover of The Seed of Immortality, by Wayne Goodman
The author is a China aficionado, he clearly loves the culture and the heritage that stretches thousands of years back in time. It’s easy to agree with him. I’ve traveled to China twice and the Chinese have a lot to offer the world in terms of knowledge, philosophy, and life wisdom. Sadly, the west doesn’t seem to appreciate the Asian cultures and their millennia of culture and history (nor Africa or the Americas for that matter.)
There are a great many words and terms used in The Seed of Immortality and the author explains them at the end of the book. I read it on my phone and it makes the getting back and forth a bit cumbersome. I would imagine this being a lot easier on a paperback with a bookmark at hand. Alas, it is what it is. But I applaud Wayne’s decision to not explain the terms in the story as he tells it. It would distract and it would risk pulling you out of the comfort of slipping back in time to the period in which the story is told, a good two-thousand-two-hundred years ago, starting with the reign of emperor Qin Shi Huang. The story ends a couple of hundred years later, but I won’t spoil that for you.
How to tackle homosexuality centuries before the expression was coined?
How do you write a story about gay people (and I use the term as loosely as I can) millennia before the term was first used? In an era where people’s thinking about gay people and gay acts were completely different than what we consider today? Well, Wayne Goodman does a marvelous job. See, we’ve always been part of human society, and if you doubt that you probably belong to the group of people who also believe that dinosaurs were part of Noah’s Ark. Hashtag facepalm. I’ve used Alexander the Great as an example, who lived in those days, and we have Hadrian, the builder of the wall between England and Scotland, the first man in history we know of to get married to another man. So much for “traditional marriage”… Alas, I’m digressing.
The real difference is that back then, people didn’t use sexuality as an identifier or a way to distinguish themselves from others. I just read an article about contemporary Afghanistan, and the ancient tradition of Bacha bazi, a form of gay behavior that still isn’t seen as such, not unlike similar traditions in ancient Greece. In Turkey, to this day, you’re only considered gay if you’re bottoming in a relationship. Odd, I know, but imagine if you don’t even have a word for it? As a linguist, I’m familiar with the Sapir-Whorf hypothesis, which roughly states that we are unable to imagine that for which we have no word. On the other hand, we can easily imagine things we have a word for, even though they don’t exist, e.g. Warp speed or “beam me up”. A simplification of course. What the Chinese of the period did was to circumscribe behaviors, mannerisms and Wayne makes good use of those terms. They’re also defined in the glossary of The Seed of Immortality.
But more importantly, the characters don’t define themselves as gay. At first, I found that almost offensive (to me, as a gay man), but I have to hand it to the author. How could they when they “literally” couldn’t? The way–and I won’t offer any spoilers–the author delicately describes the altering attitudes and behavior on an individual level, particularly within the mind and thinking of our main protagonist, Hao Lan. Color me impressed!
The story pulls you in, like a fairytale, and keeps you hooked
I don’t know how to play the game nor will I likely learn it (although, you never know…) But no matter what, you’ll enjoy this story.
I won’t offer a synopsis of the story, as it’s weaved like a tapestry of small scenes within the larger arc that is the immortality and how to stay immortal for the eight immortals that exist in Chinese mythology. The story is told from Hao Lan’s perspective, from his arrival at a health retreat to play Mahjong and regain his health to the end of the book where he departs on a mission west on behalf of the Chinese emperor, two hundred years later, right around the time our modern time begins, with the alleged birth of Jesus of Nazareth.
The story weaves in dream sequences where Hao Lan is in communion with a mythical blue dragon, who provides Hao Lan with foresight and also gives him tasks to accomplish. These dreams form the backdrop that weaves the tapestry of the arc story and they lead our protagonist and his huoban from tale to tale. It is most intriguing.
The dialogue is exquisite. I find it hard to put my finger on exactly what it is because obviously the story is written in contemporary English, but the dialogue feels Chinese, reminds me of how my Chinese friends and business associates speak English.
Mahjong or not, give this story a try…
I don’t play Mahjong, not sure I ever will. I learned long ago never to say never. I thoroughly enjoyed The Seed of Immortality, including its rather abrupt ending (how else can you end a tale about immortals?) There might be a continuation at some point and Wayne recently told me that it was originally conceived as a trilogy, so who knows. For now, this serves as a most excellent stand-alone. Don’t let the cover distract you from the treasure within! This is a book I most certainly will return to, knowing that more details are hidden, things I may have overlooked the first time I read the story.
To learn more about the author and his work, contact him on this Facebook page. Wayne Goodman is also curator of an excellent new podcast I regularly enjoy listening to, whether you’re an author or reader, Queer Words.
I haven’t written in a while. It’s been crazy busy here in our house in the weeks leading up to the Holidays. I’m sure you know why. December has that effect on most of us. But it’s all good. As long as we get to see the happiness on our children’s faces on Christmas morning, it’s all been worth it.
We spent the Holidays away from home, as always. This time we were taking a cruise out of New York and spent some time in the city before and after returning. That alone was a lot of fun. The cruise? Bliss! (Although that was not the name of the ship!)
Remember me at the airport on Tortola?
Back in 2014, at the end of my first cruise out of New York, we ended up on Tortola in the BVI. That island held special significance for me, as it was there where Haakon had to land to get to his own island, the one he’d inherited from Charles in The Fallen Angels of Karnataka. Visiting that place, walking in Haakon’s footsteps had been an extremely emotional journey for me, as you can see from the image. I only ever hold my arm like that when I’m in imotional distress.
That was then… This is 2018
Visiting a location is fun, even if it is an emotional roller-coaster. To visit a place before I write a book (e.g. my visit to Seoul a year ago or my trip to Gávtjávvrie) is different than going there after the fact, particularly when I’ve not been there before. I can write a book about a place I’ve been to and go back there without the emotional impact, but to visit a place for the very first time is different. It just impacts me on a different level. Last week I finally made it to New Windsor, the place where Martin from Returning to the Land of the Morning Calm lives. There are a couple of scenes in the book, e.g. a lunch between Martin and Eugene or – of course – the totally imagined retirement home where Martin lives or the street where Kevin lives. We took a train from the city up to Newburgh and New Windsor to visit all those places. Here are some pictures from that trip. Let’s just say it was quite the ride…
What else is new?
New year, new projects. Did you have a look at last year’s Christmas Story? I published a short story based on The Opera House just in time for the Holidays. Check it out here.
But that’s not all. I’m also expecting the audiobook for the firstGolden One installment to be published. I already have a link to Audible, but I’m not 100% sure when it’s available. Amazon doesn’t provide that info, I’m afraid. Keep your eyes out for this:
Apart from the audiobook for the first part, I’ve submitted part two to my publisher for a March publication and I’m still editing the third part of it for a fall publication. Book two is called Deceit and the final installment will be called Reckoning. I can’t wait for you all to read it!
Apart from that, I’m still trying to wrap my head around this thing called 2019. What about you? What’s new in your lives? I hope you had a good transition into the new year and I wish you all the very best.
PS: This is the first post using the new WP engine. It takes some getting used to. Apologies for any weird things. :-*
You know Christmas is approaching when “busy” is included in just about every other sentence…
Gosh, I just realized visiting my page on Amazon that I haven’t written in almost three weeks. Which is a lie, because I’ve written a lot. I haven’t blogged though. I’ve been busy. So this post is going to be the musings of someone who feels badly about not keeping in touch, with a diss of social media diss, a bit of nostalgia and probably way too much information on this author’s ongoing health struggles. Mix that in with a healthy dose of emotions and you’ll get a busy, busy blog post.
The Golden One…
The audiobook is almost done and I can’t wait to have it released in time for Christmas. Vance is busy (lol) finishing it up as I type this.
Let’s begin with my WIP I (because there’s also a WIP II, duh), The Golden One. I feel really bad about book two, Deceit, because even though it’s open on my computer, and even though I’ve looked at it several times in the past weeks, I haven’t actually done any work on it. Instead, it’s served as a reference to book three, Reckoning, which is in the final stretches. Thing is, I really, really want to finish book two before Christmas so that I can get it to my editor in VERY good time before the March release date we agreed upon. Then again, It’s already the second advent week and although I’m maybe 80% there, maybe even 90%, I’m not sure I’ll get it done. Because I really want to finish book three before I finish editing book two.
Why? Consistency. I don’t want to restrict myself by saying something in book two that’ll restrict me later on, as the story unravels, and with my mind always coming up with new twists and turns, I need to make sure not to fuck it up and there is one thing in book two that really bothers me now that I’m in book three. I may yet have to fix that. We’ll see. But yeah, it’s kept me busy alright…
A Christmas story…
I’ve been busy writing a short Christmas story about Raphael from the Opera House. I hope you’ll like it.
So many of us get inspired by the holidays. last year I wrote this really cute Dickensian story and this year, I wanted to revisit one of my characters. I gave my readers a few choices and in the end, Willem (Willem of the Tafel) and Raphael (The Opera House) ended up in a tie. I had an idea for Willem, but it didn’t pan out since their time doesn’t do Christmas so it sorta kinda fell apart. But then I had an idea for Raphael and the story practically wrote itself. I had to make a few edits here and there to make it flow better, but I hope I’ll be able to present it to you in my next newsletter, which comes out in two weeks, in the final advent week, on Thursday, December 20th.
If you haven’t subscribed to my newsletter, there’s still plenty of time. You’ll find the subscribe button popping up every now and then. If it does not, you can sign up here. Oh yeah, to write that newsletter and have it ready by the time we head out for our Xmas vacation. Another thing on my never shrinking to-do list. Did I mention I was busy? If you wonder why this stupid word is strewn in all the time for no apparent reason, it’s because it’s my keyword and my social media analyzer is pushing me to use it more… and more evenly. Middle finger straight up in the air.
The holiday season is crazy busy…
Or are we just telling ourselves? Last Saturday, I swear on the seams of my pants, I could’ve participated in five events, easily: a birthday party my son was invited to, several grand openings, one of them the new intercultural library here in town which I can’t wait to visit, and so on and so forth. None came to fruition as we traveled four hours north to visit my mother in law. That, of course, is always a two-edged sword. In-laws, declining health, “family” in general and what not. But we also spent a night at a great hotel, had an amazing Christmas buffet dinner and I got to have a bit of time with my husband to just talk after Sascha had gone to bed. Getting there was a bit of an adventure, as our electric car uses more electricity with the winter tires on and our “gas station” had some technical challenges, costing us an hour extra. Alas, what can you do?
What world are we leaving behind for our kids?
Sascha in Venice, learning about the effects of global warming first hand.
This is on my mind a lot recently, as we get more and more warnings about not doing enough to stop global warming. And it is really difficult to make headways if some don’t play along. If everyone on a cul-de-sac drives slowly, except Bob, the kids are still at risk of being run over. But how do you get Bob to stop speeding? Why would you not speed if he doesn’t stop?
Global warming is no different, and I’m sick and tired of politicians who say that it’s a Chinese hoax or natural variation. Duh, yes, but it’s never been quite this fast, and why would the Chinese do that? It’s costing them money, too, and have you seen pollution levels in any major Chinese city? I would NOT want to live there with my kids.
Seventeen of the eighteen warmest years in recorded history have taken place after 2000. Do the math. You look at the damage done by hurricanes and typhoons these past two years (they’re even looking at increasing the scales to allow for even deadlier storms, adding factors like rainfall) or the forest fires ravaging California, Greece, Sweden etc. this year and you get a picture that might just be freak weather, but all evidence points in one direction: weather is getting freakier every year, and that ain’t normal variations. Not this fast. Over thousands of years maybe. But never in twenty.
Fly less? Buy less? Live less?
My family has been working for years to try and reduce our carbon footprint. Now I’ll grant you that with our travel, we have a big one, but we do more than most at home to try and reduce it. Our new EV, we do a lot of walking, use public transport a lot when we can, we have all but eliminated beef from the menu and I cook a lot using plant-based proteins. Our heating is electrical and from 100% renewable resources (wind & water.) There’s always more to do and we try, from organic, locally sourced foods to turning off the lights when we don’t need them etc.
But here’s the thing. What I do matters little if the CEOs of big companies fly in their own jets. And my EV matters nothing if 95% of the population still spew out climate gases from their diesel and gasoline engines. We need global solutions because air knows no borders (which I’m actively using in The Golden One!) I remember being in Seoul last winter and the daily smog warnings I got on my phone (I couldn’t read them and had to ask locals.) Bad air blowing in from China. It would either be mild and smoggy (air from China) or cold and clear (air from Russia) in Seoul. Not much the Koreans can do. No DMZ will stop the air…
This week, in Katowice, the world gathers to discuss climate change, again, and to try to find a way forward. I don’t expect any results, because even if China, India, the EU and most of the world agree to improve things, as long as the Americans keep spewing out more climate gas per capita than anyone else and their president claiming “you look at our air and water and it’s now at a record clean.” and the new Brazilian president threatening to deforest the Amazon forest, aka the “lungs of the planet”, we might soon all be facing extinction, as David Attenborough just said today.
Most countries, industries, and individuals are Bobs when it comes to climate. We all expect someone else to fix things, but the climate is a global problem and one we need to tackle together… We’re quickly running out of time.
I used to love social media. I do no more. Apart from the fact that it’s highly addictive and the algorithms almost dangerous to human sanity, it’s also destructive to the human psyche and worse, to our societies. We have become totally obsessed with “me, me, me” and we no longer see society, the need for cohesion, for compromise. Yes, in a good compromise everyone walks away with their heads high, nobody gets everything, but nobody loses. But we have become so focused on winning, on always looking our best that a compromise is seen as “loss of face” and thus unacceptable from the very start.
Facebook’s algorithms, for instance, will make sure that certain of your posts (which changes over time) will be seen by many of your followers, gathering many likes, followed by posts which are hardly seen by anyone (this post will fall under the latter category because it’s critical of Facebook.) The rush to get more likes will get people to post, but the depression or ‘low’ following a post with no likes will get people to post even more psychologists have seen. Facebook wins, but we all lose in the end. Because what is a friendship based on likes rather than helping each other, actually being there for each other?
Advertising now includes stolen email
The latest coup was launched a couple of months ago. Advertisers are now able to upload their email database to target their so-called “customer base”. Facebook, of course, has no way to double check these databases for accuracy and many companies, particularly start-ups will feel compelled to buy email addresses off the web. Oftentimes those addresses will have been stolen or sold. Here are the companies (or search terms) that have uploaded my email address so far, not one of them I’ve ever given my address to (voluntarily), most I don’t even know of:
Not all company names on this list are from that category. There are a couple of names I do recognize, where I actually am a customer, but in the hidden category, they put all the companies, hundreds of them… I still don’t want to see their ads online.
I don’t know where this will end, but I just heard today that more and more people are turning off their Facebook accounts. I’ve already left Twitter and I can’t say I miss it. I still use Instagram, but I merely look at pretty pictures.
You said you were busy?
Yeah, I am. I’ve been writing as much as I’ve been able to, and with the Holidays approaching there’s also been a bit of juggling of Christmas preparations (we have a five-year-old expecting Santa to visit) and the closer we get to Christmas, the crazier things get. I’ve also been in rehab for varying parts of my body, which has been a bit of a downer. My sciatica is a constant pain in the ass, almost literally, and recently I had to see a specialist for weird knee pain. Turns out my knee cap had become inflamed by something, So my PT had me do special stuff for my legs, which I now pay a price for as I’m sore after the first normal work out yesterday. Then two weeks ago, my herniated disk in my neck flared up again, out of the blue, after six years. Oddly, it’s fine now, let’s hope it stays that way. Getting old sucks. LOL, Always one body port or another aching. But alas, it is what it is, as long as I feel fine and my heart ticks on, you won’t hear me complain. It all keeps me busy.
So that’s been my past few weeks. What’s new in your neck of the woods?
A reader interview with the author about the book releasing today…
My fantasy novel is the first book in a planned series of three. A story for youths and teens primarily dealing with the big threats our planet is dealing with today.
The other day I had the idea to let my friend and avid reader of my work, Tracy Willoughby from Toronto, interview me about the new book to include in my newsletter. What came through today were some really tough questions and enough of them to warrant me to lift them out of the newsletter and post them as a blog post. You should still read the newsletter though, as there’s a nice competition you can enter… So, without further a due, here are Tracy’s questions about Blooming and my answers:
Tracy: This book is such a detour from your other books, was this something you always wanted to try or was this an idea that popped into your head?
The short answer is “no!” I don’t read fantasy for fun, and I’ve always found shapeshifter stories boring, predictable. In a way, authors use the shifted creature to represent a minority, suffering, being oppressed. As a member of a minority group (two actually), I am acutely aware of those tendencies. Having said that, almost every book of mine is a (new) take on a genre: contemporary, historical, erotica, Sci-Fi and now a fantasy. So it’s not as big a step as it might appear as.
I think the fact that I planned it as a series (and we all know how much I like those), is a much bigger deal. The final decision to write this trilogy came during a radio show with Nigel Paice and Rebecca Mattocks. Bec said something about that I’d be amazing and give it a fresh look, and somehow that stuck with me… LOL
Teenage characters have been in a few of your books before. Do you find them harder the adult characters to write about?
No, not really. They speak to me the same way the other characters do. I’m almost inclined to volley the question back to you: was I successful? I think that writing for teens in the YA genre is all about taking that age group seriously. As old as I may be, I still remember the adults who respected me, saw me as a full-worthy individual, listened to me. I think that is how I try to treat my characters, with respect. I don’t try to make them infantile or immature, but when they make mistakes they get to take the consequences.
Mind you, this is fantasy, and an adventure novel to a degree, so there are plenty of difficult challenges and choices to make, many of which are larger than life. I think our five friends handle themselves nicely.
You’ve tackled different subjects throughout your writing journey, what has been the hardest subject and is there one you’d like to explore that you haven’t yet?
Good question. I still think that The Fallen Angels of Karnataka was the book that took the greatest toll on me for a great many reasons, the topic being the main one. To write about child abuse is difficult for anyone, but the way the topic grew within me made it extra difficult. On the other hand, there is also something about the hero of the story, his own personal tragedy that makes it one of my favorite ones, and I absolutely adore that scene that plays out in Paris, on that bench across the Seine from the Eiffel Tower. Probably my favorite scene of all times.
As for unexplored topics, I don’t know. I think when the time comes, it’ll manifest itself, in some sort or fashion. Many of my books spring from things that go on in my life or around me, things that keep me busy, thinking, contemplating, weighing pros and cons.
Many different animals appear in this book, which animal is your favorite and why? If you could morph into any creature which would that be and why?
You’ll get my usual answer on this: no comment. While I’m not a dog person in my personal life, I think Wyatt is adorable and I just tried my best to capture the animal’s essence (the way I perceive them) in the way they appear in the story. This was particularly difficult with those who have extremely limited communicative abilities (no spoilers!)
There is a limitation with regards to the novel playing out in the American Midwest: no sea. It would’ve been nice to include whales or dolphins, or even an ape or two, but alas, no such luck. I’ve done a little (spoiler alert!) something in book two to allow me to at least play a little bit with one of those animals… You’ll see next spring.
Your second question throws me a bit, as I’ve tried to put myself into the mind of so many of them, and not trying to judge them. I think I’d enjoy time as every animal with exceptions, of course, but to soar the skies like an eagle or breach the ocean surface like a whale or roam the prairie like a buffalo or wild horse? Why not? I think it would do all of us a ton of good to experience the world from the perspective of an animal. Just to see how they suffer at the hands of humanity and what we do to the planet.
The subject matter in your latest book is environmental, is this something that concerns you at the moment?
It always does. I think there’s probably a line or two about this in each and every one of my books, and in Willem of the Tafel, it plays the main role in the lead up to the beginning of the story. So unequivocally yes! As the father of a young child, it scares me to see how we are handling things on this planet, how we let things get worse unchecked, how e.g. the U.S. regime is rolling back critical environmental protections to further “clean coal” (what an anachronism!) or how the new Brasilian president is promising to chop down parts of the Amazon forest, literally the lung of our planet. As a citizen I feel powerless, but as an author I have a voice, as tiny as it may be, to speak up about these things, and to use entertainment to highlight the plight of this planet, not just from a human perspective (we do just fine in that department mind you), but from the perspective of all of nature, from plants to fungi and animals. How it’s all connected and how the failure of the system could have unforeseeable consequences for all of us, humanity included. We are, after all, at the top of the pyramid. If that pyramid breaks away underneath us, the fall will be high!
What do you hope I, as a reader, take away from this story?
I hope you’re entertained, that you find the story engaging, believable, despite being fantasy. And if you feel something, joy, fear, sorrow, love, anything really, all the better. I think empathy for the plight of Mother Nature is the greatest thing that could happen to her. It’s the first step toward taking action to save our planet.
And if you get immersed in the story and forget that it actually is just a fantasy, if you can see all the wonders happening before your inner eye, then I’d be really pleased. Did you?
Some great questions and all in all a fun interview. The newsletter is going to include this interview and feature a competition and I hope you’ll join in. I know my readers normally don’t actively participate, but hey, Christmas is upon us, let’s give a little, shall we? Thank you, Tracy, for all those amazing questions. I hope they and my interview answers make people curious to read Blooming. It’s releasing today from Beaten Track Publishing for worldwide publication.