Why female authors choose male pen names

Why female authors choose male pen names

The answer is – sadly – still the same. A more important question would be: will this (ever) change?

I’ve written about pen names in the past. Pen names can be necessary for authors to protect their lives, their families and loved ones. Pen names can differ for authors who span across different genres, to keep audiences separate. Or they can be used to dip their toes in a new direction. Sadly, there are also criminal elements out there (there is no other way to describe them), people who know that their writing either isn’t good enough or not popular enough, and who use their pen names to catfish for money. There is a new case of this almost every month. It never ends. To use a pen name, let me be crystal clear, is totally okay. As I’ve said countless times before, people have good reasons why they choose a pen name.

The Cover of my coming fantasy novel The Golden One - Blooming, the first in a trilogy about seventeen-year-old Jason Mendez.

The Cover of my coming fantasy novel The Golden One – Blooming, the first in a trilogy about seventeen-year-old Jason Mendez. The book releases in exactly one month, November 15th.

But why would women choose a male pen name?

However, one thing that puzzles me is this: so many female authors choosing male pen names. Why? When Karen Blixen couldn’t publish her first book in the U.S., she was forced to choose the male pen name Isak Dinesen to get it out. That was 1934. Almost a century ago. Today, when the majority of readers are women, and the majority of authors, too, and no publisher would refuse a woman to be published under a female pen name, why is this still a ‘thing’? Mind you, this isn’t about trans or gender queer people. I would never presume to question their right to choose a pen name that better fits their gender identity.

But just last week I was asked about this again, since yet another female author was ‘caught’ using a male pen name, despite identifying as female. Sadly, the answer is as simple as it is sad: “male is better than female”. Or so it is still perceived by society, which includes most women. That makes me sad, very sad because as a gay man, I’m all too familiar with that axiom. My worth as a human is considered less because many of my “gay traits” are considered female, and the typical homosexual is still viewed as effeminate, weak, passive. Needless to say, I disagree with that assessment.

What message do they send girls?

It’s sad that readers will rather read a book from a male author than a book written by a female author. VERY sad. Pathetic even. And for women to choose a male author over a female author? What did Madeleine Albright say about that special place in hell? I can understand how an author might deliberately choose that male pen name to be more attractive to their potential readership. Money. But they are doing their gender a huge disservice, cementing the status quo.

What message do these authors send to girls? Male is safer? Male is more financially rewarding? Male is better? Even women prefer male? Is that really the message a mother wants her daughter to hear? Surely not? Unless you’re a Christaliban, of course…

Will this change? Ever?

It is frustrating that we still, in 2018, must talk about this. Despite great strides we’ve made toward gender equality in recent decades, despite the energy from the #MeToo movement, and the lessons we should heed from the Trump election and the Kavanaugh hearings. How can women ever expect to achieve true equality if they themselves keep betraying their own?

I wonder. I have no answers. Do you? What is your take? Why do so many women choose male pen names?

What world, what future, are we leaving to our children?

What world, what future, are we leaving to our children?

More and more often, I question the wisdom of having brought a child into this world…

I love my son, more than anything else on this planet. And like most parents out there, I’d gladly give my life to make sure he got to live. I needed to say this before I go into today’s blog post. Because given the way we are treating this planet, I worry. I worry about the state of the planet, where we’re hading, and what kind of world I will be able to leave behind for my son, what future he’ll have. My husband and I live unusual lives. We try hard to reduce our negative impact on the planet’s ecosystem. We drive an electric vehicle, we have modern efficient heating systems, we turn off our LED lamps when they’re not needed, we buy organic food and we have reduced our consumption of red meats to a minimum. We teach our son the value of life, all life, from the tiniest bug to kindness to other people.

My son and I on the highest point of our island. I try to teach him respect for Mother Nature's creation in all aspects of life.

My son and I on the highest point of our island. I try to teach him respect for Mother Nature’s creation in all aspects of life.

We are but three in nearing ten billion people…

Yet what are we? A family of three in one of the world’s wealthiest countries. We still eat plenty every day, we can afford to buy organic, despite the price point. We do all those things at a great extra cost for our wallets, for what? To soothe our conscience? What good does it do if the eggs I buy are organic if the next mom buys the cheapest eggs for her family, from hens who live caged all their lives before being destroyed?

What good does it do if we pay extra for an EV if the Fords, the GMs, the Toyotas and the Volvos of the world continue to produce huge SUVs and sell them to people who really don’t need them?

And what good do all of our combined efforts accomplish if entire nations, e.g. the U.S., actively work to increase carbon emissions by rolling back laws and regulations to levels from the nineties, leave the Paris accords, allow the break-up of Natural Parks and the pollution of rivers, lakes and entire oceans?

Willem of the Tafel deals with the ultimate consequences of climate change. Not a future I want for our planet.

Willem of the Tafel deals with the ultimate consequences of climate change. Not a future I want for our planet.

The new IPCC report is brutal reading

I woke up this morning to the release of the latest report from the UN climate panel, the IPCC, and their highly anticipated report on the effects of 1.5 C degree target on our climate. It is horrific reading. We’re already past 1 C and unless we take action now, we’re heading toward 2 degrees, which will see e.g. 70-90% of all coral reefs gone. If we go to 2 degrees, we’ll lose 99%! I’m a scuba diver. I have scuba dived among some of the most beautiful coral reefs we have. The thought that they’d be all gone, along with all the species of fish, shrimp etc that live in those stunning ecosystems is heartbreaking. Even more heartbreaking is the fact that my son might not get to see them.

We are way past doubting the effect humankind has on global climate when 17 of the 18 warmest years in the past 136 years have occurred since 2001!

Add to that the way our world is changing politically, philosophically: Brexit, Trump, along with the upheavals taking place in Poland, Hungary, the Philippines, Italy, and now Brasil? To name a few. Why does war feel like something that could happen any day? Is this the future I had envisioned for my child?

What can I do? What can you do?

 

My coming fantasy novel is the first book in a planned series of three. A story for youths and teens primarily dealing with the big threats our planet is dealing with today, climate change above all else.

I can’t stop Trump. Nor can I stop Brexit. Or any of the madness going on around the world. I can’t. I can only vote here in Sweden, and I did my best to make sure to vote for a political party that is a guarantee for an open-minded society, an ecological future. You can do that, too. In your country.

 

I’ll continue to buy healthy and organic foods for our family, cooking healthy meals, making sure we don’t throw away food. All of that we’ll obviously continue to do. As an author, I also have the privilege to have a voice that is louder than most people’s. It’s still a whisper, sadly, but nevertheless. And I feel as if I have to use that voice to scream about global warming and the effects thereof. Which is one of the reasons why the fantasy trilogy I’m working on is about a group of environmental warriors, the Byeonsin. And I think I know how the series will end, and that makes me both hopeful and frustrated, all rolled up in one. *no spoilers, nothing is written yet* I’ve also tried to spell out the effects of Global Warming in my novel Willem of the Tafel. Not a future I want to happen, despite the utopian feel of the book.

We have no planet B!

I don’t actually know who first said that but it’s a true statement, and we are still decades away from being able to reach other stars, planets. This Earth, our Earth, is it! We can’t keep going at the rate we are, we simply can’t. We ended this year’s “supply” of Earth on August 1. Sadly, the overshoot date is moving in the wrong direction, year after year. We behave as if nothing were wrong as if all the above were merely fairy tales.

Picture your child, your granddaughter or grandson! Picture them in a world where Miami is four feet under water, where many of the Pacific Islands, and the Maldives, are gone forever. Where billions of people are on the move from Africa and South Asia because of severe drought and famines. Picture the wars, the carnage when embattled Americans and Europeans try to keep them away, out. It’ll be our children, your granddaughters and grandsons holding those guns, protecting their homes from our mistakes.

“I don’t doubt the scientists, but it’s so far away, this thing, this climate change…”

My son's future is pretty much the most important thing I care about. All else is secondary.

My son’s future is pretty much the most important thing I care about. All else is secondary.

Actually, it isn’t. To even reach the 1.5-degree target, the entire planet must stop emissions of CO2 by 2030. That’s twelve years from now. And we have no clue how. Well, that’s not entirely true. We do know how, but our politics are heading in the wrong direction. And to claim that climate change isn’t happening now? Every year, the planet is warmer, every year, storms are deadlier, droughts are longer, wildfires rage in more places, the Arctic sea ice melts more and more. It IS happening, right now. To deny that, or to claim it’s the weather or the sun, is naïve at best. You’re playing Russian roulette with your children’s future, and unlike in real Russian roulette, where there’s only one bullet in the chamber, this one’s fully loaded!

Time to act is now. Let’s make sure that our children and grandchildren have a planet left to live on, happily. Please?

No, I don’t regret my son, but I am worried sick about his chances for a happy and fulfilled life. It is his future I fight for. Will you do the same for your kids and grandkids?

Hans M Hirschi
Father, author

 

Release Day: The Dragon Princess, a children’s fairytale

Release Day: The Dragon Princess, a children’s fairytale

My first children’s book, a book about love, available today

I had to redesign my website the other day, specifically the book-page. I don’t even remember off hand how many books I’ve released since my first in July 2013. Let me go check: nineteen. Today marks my twentieth release. Wow. Twelve novels, two non-fiction, one short story collection, and three anthologies. Today, I embark into new territory: children’s books. With the release of The Dragon Princess, I give you a book, unlike anything I’ve written before. To write for children is radically different than writing for adults.

The blurb

Love is love and dragons are evil or are they really? The Dragon Princess is a story about love and how it holds the power to transform even the coldest of hearts. A classic bedtime story for children of all ages.

Background

My son and I.

My son and I.

When my son was little, my husband and I were actively looking for books. Reading had been important to me when I was a child, and we wanted Sascha to be read to and to read by himself, too. We began to buy books, we were gifted lots of books and his bookshelf is well filled. But there are, at this stage, only two books that portray rainbow families and diverse love. Our son is five years old and he is starting to understand the differences between moms and dads. To him, having two dads is totally okay. It’s just the natural state for him, but just this morning he asked me if his mother was still alive. I know that he is trying to make sense of things, subconsciously. Ever now and then he’ll ask a question, and we’ve talked about this repeatedly.

Sometimes, it helps to have children’s books to help parents explain things. That was my starting point when I began to write about Valerius and Evander, the heroes in the book, two years ago. I wanted to create a series of children’s books where I could explore LGBT themes for kids, on a level they would understand.

Easier said than done

First, I wrote a text that encompassed sixteen scenes. I wanted to try and tell a classic fairytale. There are a lot of kids who love dragons and the struggle between good and evil. It needs to be a relatively simple plot, with clear-cut roles. And it needs to end well. Writing the first draft took a couple of hours, but I wasn’t happy with it. I don’t think I’ve ever edited and rewritten a text as many times as I’ve worked on The Dragon Princess. Sometimes I would edit the text several times in a day, then let it simmer for months. All in all, it took me over two years from the first draft to a final manuscript.

One of the amazing illustrations by Felicity Swan in the Dragon Princess.

One of the amazing illustrations by Felicity Swan in the Dragon Princess.

When you write for small children, pictures, illustrations are a given. Kids like to read along, and when they can’t read, the pictures is where they ‘read’. They see the words in the picture, and as you read, they try to find those words in the illustration. My son is beginning to read for real, and it’s only now, at the age of five that he’s showing interest in the letters for the first time, asking me things like: “does this mean…?” pointing at the words on the page. In Felicity Swan, I was lucky to find a great illustrator to work with.

A new genre, new audience, a new approach

Yeah, how do you market a children’s book? I live in a country where marketing toward children is strictly forbidden and frowned upon. I have always been a genre hopper. Maybe it’s the Gemini in me that always sees new and shiny objects everywhere. From romantic love stories to gruesome books about child abuse, discrimination against first nations to debilitating dementia, I’ve covered new topics in every book.

To me, branching out into children’s book was a small step. Difficult, but small. The biggest challenge for me is to find my audience. We’ll see how that goes. For now, my take is simple, hoping that my existing audience buys the book for the children around them, from their own offspring to grandchildren, bonus kids, nieces, nephews etc.

Front cover of my coming children’s book The Dragon Princess, releasing September 20, 2018

A great big thank you to my publisher…

It’s no secret that I am very happy with my publisher. They’re a small house, but they treat every book as a gem in its own right. I felt that The Dragon Princess was handled even more carefully than my adult writing. Working with me and the illustrator, they put in a ton of time to make sure the book would be as perfect as humanly possible.

There is so much work going into even something as seemingly trivial as a forty-page kids book, from web pages, publishing, paginating, layout, proofing, editing, to making sure it’s available on release day on every single of the dozens of sites (and distribution) that sell books.

Beaten Track Publishing has that little extra love for children’s books. As an author, having my work treated that way makes my heart skip a beat. Thank you! Have a look at their catalog of children’s books.

Valerius and Evander are now yours to treasure, I hope you enjoy their first adventure in The Dragon Princess!

Hans M Hirschi

My first children’s book: The Dragon princess comes this week

My first children’s book: The Dragon princess comes this week

Meet Felicity Swan, the illustrator who made it possible

Writing a children’s book has been my dream ever since my son was born. I just wanted to add something to his life that we as rainbow parents are hard-pressed to find. Our son already owns a good hundred books, and some of them are positively archaic, with moms by the stove and handy dads. Horrifying! He also owns two books out of a hundred where rainbow families or being LGBT are mentioned. One is And Tango Makes Three (of course!), the other one is Marlon Bundo (the good version.) I began writing The Dragon Princess a couple of years ago (!) when we only had the book about Tango, and I’m finally able to get it out. This week. Thursday. To make it possible, I needed a great illustrator. Dozens applied for the job, I finally decided to work with Felicity Swan. You’ll understand why. Let’s get to know this amazing artist. I sent her a few questions, and she’s generously answered those for us:

The Interview

Q: Who is Felicity Swan in her own words?

I’m a freelance writer and artist. I draw comics, illustrations, and write books.

Q: What is one thing you would like the world to remember you for?

When someone closes a book I’ve written, I want them to feel a connection to it. Whether its hopeful or feeling like they’re not alone in their struggles or even feel understood in some way. I hope they feel the same way I do when I read my favorite books.

Q: What got you into illustrating?

I’ve always been drawing from the time I could hold a pencil. I started taking it seriously after I got my associates degree and realized university life wasn’t for me. I wanted to find what made me happy, not what I thought others expected of me. I was good at writing and drawing, so I pursued those instead.

Q: What inspires you? Do you have any specific “style”?

When it comes to style, it depends on the work and the tone I’m going for. I don’t believe in being tied to any one style, but it’s all about effectively communicating with your audience. I’m influenced by a variety of artists: Art Spiegleman, Aaron Alexovich, Jason Brubaker, Hiayao Miyazaki, Yun Koga, and a variety of independent artists.

Front cover of my coming children’s book The Dragon Princess, releasing September 20, 2018

“First time I’ve collaborated on an illustrated book”

Q: One of the reasons why I absolutely fell for your style is the multi-faceted it is. I remember when you first sent me your sketches and how there was so much depth, so many layers or what I would call sub-text, but I guess it would be better to refer to just layers. How do you go about when you work with e.g. an author?

This is the first time I’ve collaborated on an illustrated book. When it comes to commissions and this collaboration, I’m usually given an idea of what someone wants – either a description or a set of images to work with. From there, I do my best to capture what the client wants, either through what they’ve unconsciously strung together through the images provided or from what I can get from their descriptions. For your writing, I was really drawn in by your use of contrasts in your descriptions – hot vs cold, young vs old, small vs large. So I used that as a base for everything – from colors to silhouettes. The parents have sharper edges than Valarius and Evander, both who have softer and sleeker designs. I wanted to have a contrast in warm vibrant colors for the protagonists and cold, darker colors for those affected by the curse.

“Ideas come from everywhere”

Q: Can you tell us a little bit about the process you work with, from idea to sketch to final rendering?

My ideas come from everywhere, to be honest – dreams, a simple idea, a “what if” thought, or even just a certain image or the way items are placed together. Heck, me misinterpreting a scene cut out of a show or game can lead to a cool story. Lately, I’ve been recycling old ideas in order to help flesh out new stories. When it comes to my comics, I’ll have a few ideas, I’ll write a summary, a few outlines, and then start the sketching phase where I start piecing things together or clearing up ideas and figuring out what I want the style to be. Some comics, I’ve had to leave off to the side and allow the idea to mature because I couldn’t think of an ending or I didn’t like the middle. Then I work on thumbnails (small mock-ups) of the pages, then I put my nose to the grindstone. Its a similar process for illustrations.

Q: Do you work exclusively with a computer or do you also illustrate on physical materials, e.g. paper, canvas?

I work mainly on my computer. When it comes to sketching or making “ugly sketches” I work on physical paper. My main medium is dry mediums. Thankfully, I was able to purchase a display tablet this time and my output has almost doubled.

One of the amazing illustrations by Felicity Swan in the Dragon Princess.

One of the amazing illustrations by Felicity Swan in the Dragon Princess.

Q: Toward the very end of our collaboration, you mentioned that you were visually impaired, which – if possible – increased my admiration for your work. Does your impairment influence your artistic expression, the work-flow?

All my life, I’ve had going blind hanging over my head. I’ve also had horrible depth perception and ocular migraines (lights and colors over my vision; not painful aside from eye strain). I think my first encounter with near-retinal detachment at the age of ten was a real wake up call for me and I started really pursuing writing.

“Four surgeries to prevent blindness in my right eye”

Before you commissioned me, I’d had four surgeries to prevent blindness in my right eye. There’s a cataract over that eye now and I’ll have surgery number five in the near future. It’s likely that, in ten years, I’ll lose that eye due to scar tissue. So, yes, it does influence my artistic expression – I feel a pressure to hurry and tell my stories. Not only that, but my near-nearsightedness makes seeing things far away difficult, so backgrounds and landscapes are tough for me. And having one eye to look through has done a number on my ocular migraines and made it harder to read books with normal sized text. I haven’t noticed too much of a difference with my drawing, though.

“It was about the shooting of Abraham Lincoln…”

Q: Was this your first project to work on a children’s book? If so, what is the takeaway for you? Did you learn something?

When I was a child, I drew a picture book called “Pikachu Goes to the Moon” haha! I wrote and drew a children’s historical fiction book when I was in junior high/middle school as an assignment for history class. It was about the shooting of Abraham Lincoln from the perspective of an orphan who overhears the shooter’s plans and tries to stop the shooting. Ever since my family has been telling me I should do more children’s books in the historical fiction genre. Once I’m done with the work I’m currently doing, I might look into it. Who knows?

Q: What is next for you? Any projects you can/wish to mention?

I have a long form comic called Final Break and I’m doing short comics on the side when I’m not doing commissions.

Q: Where/how can people find you?

Find me on social media:
Instagram / Twitter
Here’s a hub for all my links to my works, as well as my portfolio:
Portfolio
Feel free to feed my cat and help with cataract surgery:
Patreon (monthly subscription)
Ko-Fi (tip jar)

The Dragon Princess in what might become the “Valerius and Evander” series is published by Beaten Track Publishing and releases this week on Thursday. It is available as an ebook and on paperback from all your regular sources, including Amazon. Check it out, and read it with your kids, grandkids, nephews, nieces etc.

Here are the sales links:

Thank you!

Hans

How writing a planned trilogy/series is different from writing a stand-alone

How writing a planned trilogy/series is different from writing a stand-alone

I discover new things about my writing process every day

Six thousand words, immersing myself in Japanese customs for the day. Unexpected. Fun. I’m forty-five thousand words into the second manuscript for my trilogy about Jason, a shapeshifter fantasy. I’ve never written fantasy before. I think I was primarily afraid of the whole world building. To alleviate some of that pressure I chose to stick to a relatively known setting. The Midwest, on our “normal” Earth, a contemporary setting. I’m not sure I could tackle strange worlds or ancient kingdoms quite yet. Nor to invent an entirely new language. I’m no Tolkien. And it’s not primarily the time it would take, but that I’m just not that interested. Writing a series is complicated…

What’s the story?

Visiting a movie set is fun, yes. But if it's only an empty Potemkin village serving no purpose, it doesn't help my storytelling.

Visiting a movie set is fun, yes. But if it’s only an empty Potemkin village serving no purpose, it doesn’t help my storytelling. Universal Studios, Hollywood. Photo: Private

When I tell a story my interest is rarely in the set. Don’t get me wrong. I loved visiting Universal Studios and their tour of the sets this summer. I’ve done it twice before and it’s always nice to be able to return and see what’s new and changed. But unless the staging actually helps with the storytelling, furthers it, I really don’t see the need.

With fantasy, I feel that the worldbuilding sometimes feels more like draping than actually being helpful or necessary. I come to think of fighting scenes in movies, where I similarly find that the violence we’ve become so accustomed to really rarely helps tell a story. So the guy kills a guy. Do they really have to grunt for ten minutes? Is the gut-spilling needed? The broken teeth? The brain splashing?

In The Golden One, I take a somewhat different road. I focus on the story, on the emotions (which have always been central to my writing), and I only add fantastical elements when needed. I use shapeshifting as part of my backdrop. It’s well established in literature and I combine it with a few other fantasy building blocks to hopefully create something new, something unique. I haven’t read a whole lot of fantasy before, so I may have missed someone who’s done this before. If I have, well, that would be my defense… LOL

What happens in book one will affect book three

The Cover of my coming fantasy novel The Golden One - Blooming, the first in a trilogy about seventeen-year-old Jason Mendez.

The Cover of my coming fantasy novel The Golden One – Blooming, the first in a trilogy about seventeen-year-old Jason Mendez. Cover by Natasha Snow.

When I wrote Jonathan’s Promise, I fully intended it to be a follow-up to Jonathan’s Hope. A second book, very different from the first. No wonder, it plays out a good sixty years later, starting a week before the first one ends. And I also planned, from before writing that very first sentence, how it would end. It would end in a way that would make it impossible for me to ever write another book about Jonathan and Dan, ever, again. Well, color me wrong. Writing Jonathan’s Promise was relatively easy. If I’d forgotten something from the first book or if I referenced something from the first book, I could just pick it up and more or less quote from it. When you write a trilogy or an even longer series from the get-go, it’s not quite as simple. I set the ground rules in book one, I set the stage for the final chapter in the first book, which means that there’s one hell of a lot of planning going on.

Contrast that with my ‘laissez-faire’ style of writing. My pantser, from the hip, character-driven writing where I often find myself crying or laughing at what appears on the screen before me. Just today, as I was writing about Emiko, this nice Japanese character who suddenly appeared in Jason’s life, I had to stop three times to contemplate what that meant for the future of the story. Last week, I had another character appear who had the potential of changing the entire plot.

With the end in mind…

Do I know how the books end? I do now. I didn’t when I was done with book one, and the actual details still elude me, but regular walks, dreaming about Jason and his Byeonsin friends help me or let’s say it helps my subconscious because that’s really where most of the magic happens. I have an idea of how to end the book, and I’ll have you know that the challenge before me (or Jason as it is) is a tall one. The poor kid has to save the world, literally. And his enemy is powerful. That’s an understatement, actually. You’ll see what I mean in time.

With that tentative end in mind, I plow forward, adding scene to scene, always upping the ante a bit further, tightening the screws, increasing the pressure on Jason all the while making sure to remember that he’s a high school kid, not some college professor, always making sure that I’m consistent and logic in how I proceed. Not always easy…

Once the first book is out, it’s canon!

One of the scariest aspects of this journey is 11/15, the day the first book drops and is published. After that day, it is canon. Nothing that is said in that book can be changed. That means that if I fucked it up in there, I’ll have to live with the consequences thereof for the rest of the trilogy. Don’t believe me? Just dig through your Star Trek library… Ever wonder why the new movies are playing out in an alternate universe? Canon, right. Luckily, those universes are well established in canon so that was easy. For the writers. For us fans? Not so much.

Book two feels like the most difficult one to write…

Like I said above I’m about forty-five K into book two. Another fifteen to twenty K and I’m done. Book one clocks at sixty-eight K. Is it inevitable that it will feel a  bit like The Empire Strikes Back? Or should I go with the Harry Potter approach and end it on a “happy ending” note before upping the antics a notch in the next one?

I gave Jason a decently sized challenge to bite into in book one, but decided to end it on a somewhat ambivalent note. Yes, you can read it as a stand-alone, but hopefully, I’ll have left enough unanswered threads, enough hints and questions that readers will want to proceed to the next book. I’m not yet sure how to end book two, or actually, I am. LOL Never lie! But I won’t tell you… It’s one of those things you’ll just have to read, in time. Next spring…

I think of how other books have been written, how other authors have handled it, or how stories are told, and yeah, I can’t shake the feeling that book two is the most challenging one to write because we all know there will be a third, where it all climaxes. Oh well, my problem. I’ll figure it out, somehow.

Why don’t you just plan it all out?

I can hear the question all the way here… LOL Yes, I can actually hear you think. I’ve asked myself the same question, more than once. I think it has to do with the concept of “plotting v pantsing” and I firmly believe that too much plotting will ruin my creativity. Now, don’t eat your panties, this is how I tick, how my mind works. But if I were to plan any of the events or scenes in my books in advance, my writing would become dull, and I’d probably end up not writing it.

I often keep thinking about my writing, even long after I've put down the pen for the day.

I often keep thinking about my writing, even long after I’ve put down the pen for the day. And yeah I’m often tired-looking in the evening… 😉

So here’s what I do instead. I take an idea, like the one I have for the ending, and I do NOT write it down. I commit it to my subconscious instead, where it soaks, matures, ferments, rots (potentially) or dies in blissful forgetting. I never write any creative ideas down. Instead, my work documents are littered with dates, numerals (I sometimes have to compute ages, dates etc. to keep me on an honest trek) names, family trees, terms, and other stuff I will need again.

That helps me to quickly find what I need rather than having to go back and scour through an entire document to search for it. My laptop is smart and finds a ton of stuff, but yeah, that’s how I work. It may not work for anyone else, but that’s what keeps my mind alert, and it enables my subconscious to let my characters remain in the driving seat.

And I’m lucky (so far) that this approach has worked out for me. I sometimes type “the end” to a document and then fearfully go back to the beginning to see how it all ties together. Is there a story that is consistent? Is it any good? Are there massive plot holes to be filled. And so far, knock on a ton of wood (preferably my skull), it’s always worked out for me. I doubt this approach works for others, but yeah, so far, so good. The challenge here lies in trying to think of this trilogy more as one huge book of some two hundred plus K rather than three separate novels.

The Golden One – Blooming, releases November 15, 2018, from Beaten Track Publishing. The publication dates for books two and three have not yet been set. Have a great rest of your week. If you have questions, or comments, if you’d like to follow me on Instagram or Facebook, feel free to contact me.

Hans M Hirschi

Social media fatigue is totally a thing, but what else can an author do?

Social media fatigue is totally a thing, but what else can an author do?

Social media is still ‘da shit’, but I’m so over it…

I just listened to a podcast, a show I listen to regularly (and have appeared on, myself), and the guest talked about Instagram and social media, and how posting Instagram images with his significant other garners him a ton of extra likes. I can sympathize. I recognize myself in that. And I wanted to talk to you all about it. I’m an author. My passion is storytelling and as a writer, I tend to primarily use my words to pen them down. The whole process of selling, marketing and self-promotion does not come easily to me. I just don’t like to talk about myself. I don’t like to see myself on pictures, yet I realize that in order to succeed, I must.

When a new book of mine hits the bookstores, I love to see it featured in magazines, I like to see it reviewed, and I certainly don’t mind seeing it reach the #1 or #2 spots on charts around the world. There’s no author who honestly doesn’t appreciate their books being a success. What I don’t understand is that it takes me to make them successful. What’s wrong with the characters in my stories? Their relationships, the trials they face, the storyline? Why does my smile have to be the deal breaker for buyers, readers? And to go back to the first paragraph and that podcast, it’s not just the artist themselves, it’s their family, too. We are expected to also include our children, our partners, our pets and our homes, our vacation spots and dinner recipes when we post on Facebook etc. I really struggle with that. And I’ll get back to that topic in a minute.

Why I quit Twitter

I quit Twitter this summer, retiring for the second time (after 2010) from the platform. I no longer saw the value of it. It’s become a megaphone to yell out our messages, but no one’s there to listen. Your ranking on Twitter is determined by how well you follow back, but we all know that after a 1,000 follower threshold you’re done. You can’t really follow your stream anymore. It simply becomes unworkable. I had about 8K followers and followed about half that number myself. I never even looked at my stream, and I can only assume the same was true for most of my followers. Most posts are generated by bots who dish out ready-made stories, aka “valuable content” on our behalf, on a regular basis. Where’s the “social” in bots spewing out automated content into the vastness of the Interwebs? Huh? I quit, and I save time and money, but most importantly, I don’t think I’ve sold fewer books because of it.

My schizophrenic relationship with Facebook

I have almost two-thousand “friends” on Facebook. Needless to say that most are not my friends, not even acquaintances, because I don’t know most of them. When I, reluctantly, joined Facebook to help organize my husband’s 30th birthday party (long story), I quickly garnered my first thirty friends. I was excited. They seemed to be waiting for me. Those evil algorithms had me on the hook. Almost a decade later I have unliked all pages (and keep unliking things I liked, such as “classical music” also turned pages by Facebook since then) and I have left most groups, as Facebook turns all of those things into advertising hooks. The sad part is how stupid those algorithms really work. Just because I like a post or a page doesn’t mean I like the “phenomenon”, but to advertisers, it certainly seems that way, and they can push their adverts much more precisely. Those fools! Profit does Facebook, but not the advertiser, not unless their approach truly is “spray and pray!”

When strangers send me a friend request I usually accept, unless it obviously is a fake account or someone who’s only interested in me for a visa or my money. How am I to know who reads my books or not. It’s not as if they send you a message explaining why they’re friending me. I once asked a guy from the Philippines why he friended me and he said: “Facebook suggested it” #facepalm Is that what it’s come to? A stupid algorithm telling us who we would be friends with?

No choice really!

When you have as many people on your list as I do (and I’m far from the 5K limit), and you follow all of them, your stream becomes unmanageable, worthless. So I automatically unfollow people I don’t know. But even then, there’s no guarantee that I actually see stuff from my ‘real’ friends, or from people I know. Because Facebook’s almighty algorithms deem your friendship dead if you haven’t liked or interacted with someone for a while. Little do they know about personal human relationships… My best friends and I can go months, years even without talking, only to resume where we left off the last time. Facebook was supposed to make it easier to stay in touch, but with the constant assault of worthless snippets of lolcats, recipes, memes and what not, our brains just can’t deal and we actually think less about people we’re not constantly in touch with then we used to before social media, simply because there’s a multitude of people constantly occupying our minds. People we don’t really care about, people we do not even consider to be friends. Why thank you, Zuckie!

Unfortunately, I don’t really have a choice. Sure, I can delete my Facebook account and lose touch with everyone close (and not so close), but I’d also lose touch with my only true marketing channel. Although, I wonder, how many of those 1,800+ people I have on my friends list on Facebook actually see my posts? 100? 200? Do the right people see them? I can’t tell.

Where to draw the line?

I’ve written about marketing on numerous occasions before on this blog. On how sex sells to social media trends over the years. I’ve always been wary of posting stuff to Facebook (while I still had a page there) that was personal. I know of authors who work closely with their partners, heck I know of partners whose names are unknown, they’re simply known as “xyz’s hubby” or “xyz’s boyfriend” which is quite sad really, at least IMHO. They play a persona, and I know for a fact that their real lives are quite different from what they show online. Different personalities, different relationship dynamics etc. But they know that their audience is voyeuristic and that they expect to peep into their lives, their kitchen and, yes, their bedroom.

I’ve always kept my family out of my work, as much as I could. I know people are interested, and I’ve resisted. Am I simply an old fool? Old school? A fossil who doesn’t get social media? But how social is it to pimp out my son to an audience when he has no say over the process? My husband has been very adamant that he has no interest in being pimped out to my readers, and he gets quite upset when complete strangers send him friend requests. The stalking really gets to him. I can’t blame him. I wouldn’t be too thrilled if his employees suddenly began to send me friend requests.

What can we do? What’s the solution?

Photographing author Hans M. Hirschi in Central Park, NYC. May 1, 2017.Which brings me back to the podcast and the Instagram posts of a couple garnering more likes than the ones of a single person… Times are certainly changing. The question I’m facing is to what degree I’m willing to sacrifice my own privacy, my personal space, and integrity and go with the flow, to get those likes, catch those followers, make those book sales.

Feel free to comment. What is your take on social media in late August of 2018? Where are we heading? What’s the next big thing? I like to interact with my readers, I actually do, beats the heck out of simply being monitored in silence on Facebook. LOL, you can find me there as Hans M Hirschi if you’re so inclined, or here on Instagram, where I primarily look at pretty pictures of nature.

Hans