Gender identity: biology, sociology, predestination or choice?

Gender identity: biology, sociology, predestination or choice?

In politics and psychology, the war to explain sex and gender is hotter than ever. Why?

A few weeks ago I listened to a segment on our public broadcasting radio. They were interviewing a psychology professor who was vehemently defending biology as the defining factor to distinguish gender, men from women, male from female. Leading up to our election a couple of weeks ago, our conservative parties were ranting against “gender politics” and “norm critical” education in schools. Which made me remember my own studies of psychology and the lessons we’d been taught there, how our teachers painstakingly tried to explain the differences between biology, sociology and how we don’t really know how they interact with each other, what ultimately is the defining factor, except one. More about that later.

DNA, chromosomes, and hormones

I have yet to hear anyone argue that a newborn boy and a newborn girl are the same. They’re not. Obviously. Chromosomes decide what sex a child will have, even though Mother Nature has been known to surprise us with various varieties, children we consider intersex, kids with various chromosomal defects, for lack of a better word. We also know that the male hormone “testosterone” and the female hormone “estrogen” impact on how male or female a body appears. Boys with little testosterone will have less body hair and softer features, to exemplify.

So far so good. We also know that hormones will affect our mood, potentially even our personality. However, we also know that all of the above isn’t a given. It’s not a law of nature, like gravity, with no exception. In fact, that is where “nurture” comes in and starts to change things. There are plenty of experiments with how children are affected who are “raised” as the opposite from their birth sex, and there are – of course – our gender fluid and trans friends, not to mention intersexual people. Nature vs nurture. Who is more important?

Front cover of my new children’s book The Dragon Princess, which released September 20, 2018. Get your copy today!

Nature vs nurture. Why is it so important to some?

Seeing how people fight and argue in this debate you’d think it actually matters as if the future of humanity were at stake. But does it? And why? Looking at research and what little I know about nature vs nurture, my take is this: so what? Whether our gender is predetermined by DNA is really not important, because plenty of people live perfectly happy in bodies where their DNA and chromosomes do not match their gender. The opposite is–unfortunately–also true: people who are miserable in their bodies even though the chromosomes perfectly match how their bodies appear.

It’s probably not a big surprise that I believe in choice, that I believe that nurture is much more important than nature. Sure, nature provides us with different preconditions, but that’s it. It merely determines our position at the starting line of life. How well we manage to go through the parkour of life, that’s an entirely different question, where I believe nurture plays a role, and–most importantly–personal choices. These personal choices will, of course, be influenced by both natural predisposition and how we were nurtured.

In a perfect world, that would be it. People would be allowed to determine their own gender expression, whether it’s trans, gender fluid or even genderless/agender. Unfortunately, society complicates things, for a great many reasons.

Conservatives vs progressive

In politics, you’ll find resistance against “free” individual gender expression on the conservative side (on the famous GAL-TAN scale, which is different from the classic left-right scale, as many socialist countries also discriminate against gender expression) while progressive voices usually are much more open-minded.

In our western society where “liberalism” is the lodestar (sorry, couldn’t help it, and no, I’m not behind the infamous op-ed) people’s individual choices are at the center of the economy, and most conservatives want us to make our own choices. Yet oddly this is different. Boys are blue and girls are pink. As mentioned above, our conservative parties in the election fought a fierce battle in the recent election against gender politics, against a preschool where kids are given a choice and taught that it is okay for boys to play with dolls and for girls to play with tools.

Somewhere, there is this idealized picture that we have a pre-defined role closely associated with our sex, our gender and the expression thereof. If you dream of a society where women are the care-takers, child raisers, cooks, and homemakers, it may seem comfortable to find your explanations in biology. You can tell the frustrated women that they don’t really have a choice: “don’t blame me for inequality, blame Mother Nature. I’m sure she knows what she’s doing!” Take it a step further and replace Mother Nature with a deity and you have the perfect storm. And gender politics is evil, as it fights–like Don Quixote–against that which is predestined.

Choice, however, makes things much more complex. Suddenly, you have individuals who live in a soup of biological factors, social factors, and personal choices to be made. And gender politics are a tool to help them find themselves. Some boys will be more “masculine” in their gender expression, some will realize that they are really girls and will want their bodies to match that. The very same is true for girls. At the end of the day, we all find ourselves on a spectrum, from one-hundred percent masculinity to one-hundred percent femininity, where the vast majority is somewhere between the poles.

Nature is at the core of my coming fantasy series. A story for youths and teens primarily dealing with the big threats our planet is dealing with today. Coming November 15, 2018.

What are you, my friend?

Part of the conundrum is the value society attributes to the two poles. Like a battery, masculine is “+” and feminine is “-“, male attributes are desirable, feminine ones are not. That is the sad truth at the core of it all. Our entire world is seen through those lenses. A woman crying in a public hearing is weak, hysterical, a man doing the same is passionate, in touch with his emotions.

I’m a man, but I’m also gay, and thus very much associated with all the negative associations attributed to women. In Turkey, for instance, the word “gay” is exclusively used for bottoms (or receiving men), whereas a top is not. It’s the “female” role that defines who’s gay. A large part of my coming out process (which is a life-long thing btw) was focused on my gender identity/expression, to come to peace with that which makes me a man and that which might not. I have loads of traits which society might consider female and I have spent years trying to figure out whether I should “blame” nature or nurture for them. You know what? I don’t care why. It doesn’t make any difference to how I feel. It shouldn’t matter to anyone. The important thing is how we feel if it’s due to chromosomes, hormones or socialization is irrelevant, or it should be.

But what makes a difference is how I am perceived by others, how my choices are reflected in society. When people or groups keep insisting that my choices are wrong, even though they are just right for me, that’s hurtful. Do I care? At my age, I can barely care enough to lift a middle finger, but I understand that it is a HUGE issue for our young, our impressionable members of society. Our teens who define themselves not based on who they are, but based on their relationships with others. They are at the epicenter of the struggle. It is them we need to support.

On my mind…

I often write about stuff on my mind, big, small, important, inconsequential. And I love to debate. Grant you, it would be easier and more welcome to do so over a cup of coffee/tea, sitting in comfy chairs, but that will have to be another day. For now, feel free to comment and add your two cents, or three. What is your experience? Do you agree with the above or do you have a different view?

Here’s the thing. If only we keep talking, across the great divide of diverging views, we can bring them closer to each other. Yelling, screaming and tweeting will not. So feel free to add your comments. Have a wonderful week.

Hans

Gender identity: biology, sociology, predestination or choice?

When exactly did I become “old”?

Contrary to popular belief you’re not as old as you feel…

How often have I heard that sentence: “you’re only as old as you feel…” Bullcrap! You’re as old as you’re perceived, that is the sad truth. While it is true that the way we perceive our own age changes imperceptively, we do age before our inner eye. A blessing I guess. Who’d want to be a toddler all life? I also believe that our own view of our age, and how we are perceived by others, are interacting. People who “behave” old are perceived as being older. Our looks also have an impact on how we’re perceived: people who look after themselves, dress smartly and youthful are perceived as younger as those who do not. So far so easy.

Age is but a number, my ass!

However, sometimes we are judged merely by our date of birth. A long time ago (over a decade in fact), Swedish telco giant Ericsson offered everyone older than 1968 a severance package. They were considered “too old” to contribute positively to the company’s future. And oftentimes, it’s said that people above the age of fifty are too old to be considered for a job. And too expensive, I guess. So let’s dispense with this notion that we control our aging, because we don’t, not fully anyway. Yes, there are things we can do, but at some point, you realize that you’re no longer young, but old. How exactly does that happen and is it a bad thing?

Always too young, suddenly too old. How did that happen?

I was the youngest to ever apply and train to be a civil protection ‘soldier’ at the age of sixteen. I was the youngest candidate ever (at the time) to run for public office in my hometown. All my life I did things that people my age had not done before, always fighting this perception that I was too young. I remember the feeling, the frustration of not being taken seriously, that somehow my views were not worth as much due to the date on my birth certificate.

Years pass and suddenly things feel different. Suddenly I’m too old for e.g. politics. I’m too old to hold a job. My views are considered outdated and old, and I’m bombarded with a gazillion memes making that point: if you remember what a VHS tape or a cassette is, you’re practically three feet under. Why thank you.

So what changed?

I’m not denying my age. I’m not denying that some days, getting out of bed is a painful exercise. Yet at the same time, my body is in better shape than it has been since 1985. I look at my face and I see the changes, but compared to people ten, fifteen years my junior I still look pretty good. I feel great.

And part of that greatness is due to the changes in my head. Albert Einstein once said: “the more I learn, the more I realize how much I don’t know!” I second that motion entirely, and I wish people my age had been able to tell me, when I was young, why they dismissed my views. First of all, I don’t dismiss the views of the young. Ever. Because I remember how frustrating it was back when I wasn’t taken seriously. I would never do that to anyone else. It’s so disrespectful. But I also know things today that I didn’t know back then. Life experience, more factual knowledge (I/we know so much more than we knew in the eighties), and I think I’ve become a ‘tad’ more patient. I’m not as pushy, impatient than I was in my twenties.

Unfortunately, when I was a child and until I was about thirty-ish, even afterward, the older generations simply didn’t take us seriously. Whatever the younger generations had to bring to the table wasn’t worth considering. Often times we weren’t even listened to. Exceptions existed of course, but they were exactly that, exceptions. Strangely, those are people I still admire to this day.

Experience, wisdom (?) is a blessing

Back then, people didn’t explain why they didn’t value our views, or why they believed/knew differently. At least nothing beyond a “you’re too young to understand…” and yeah, that is not helpful, as we were well aware of how old we were. I try very hard not to make that same mistake when I meet younger people. Their view of the world is shaped by their perception, their unique untainted view of youth. That is an important view. Age affords me knowledge of how slow change can be, how important compromise is, how reality works. Youth provides insights into the desperate need for change, and the desperation that “waiting” will always lead to lost opportunities, to loss. Period.

While I enjoy knowing so much more than a younger counterpart, I also find it important to impart to them the reasons why I know this, not to just disregard their views. I find particularly discussions about our planet, the environment and changes to our climate interesting. We currently have an interesting debate in our city, about a new train tunnel to connect and circumvent our terminus station. There is a lot of opposition against the tunnel. Some just don’t believe in public transport, some (in certain suburbs) don’t see the need, as they are nowhere near a railway. However, I’ve noted in recent months that some of the opposition is age-related, with older people opposing the project because “the city would be a mess for years”. I even had one person argue “I won’t be around to use it…”

If I’m old, this person is practically ancient. How sad is it that we begin to look at say five years of chaos in a city and disregard the decades and decades of a better future this will provide for us? That makes me sad.

Have things changed? Or is it a generational rather than an age thing?

When I see my generation (born in the fifties and sixties) argue against progress, because it takes too long or isn’t immediately visible, I wonder: are younger generations more apt at seeing the bigger picture than we are? Are we so obsessed with quarterly results, “me me me” and instant gratification that we can’t view beyond the tip of our noses? Is it my generation that’s off track rather than us just getting older?

I honestly don’t know. I am very happy with the place where I am at, mentally, even physically. To be able to reflect, to have the experience I have, having seen what I have, done what I have, affords me great luxury in terms of analyzing the world. Grant you, I wish I had more working collagen in my skin to keep it from sagging, but hey, there’s a price for everything… But it worries me to see that so many in my generation have lost that precious gift of seeing the bigger picture, the grand scheme of things. Short term gains more important than long-term future. Need I mention #Brexit as a prime example of this, both in the arguments leading up to that disastrous vote and in politicians’ actions in the two years since.

What is your take? Let’s discuss… Meanwhile, I have to go back and finish a book. Have a great week.

Hans

Release Day: The Dragon Princess, a children’s fairytale

Release Day: The Dragon Princess, a children’s fairytale

My first children’s book, a book about love, available today

I had to redesign my website the other day, specifically the book-page. I don’t even remember off hand how many books I’ve released since my first in July 2013. Let me go check: nineteen. Today marks my twentieth release. Wow. Twelve novels, two non-fiction, one short story collection, and three anthologies. Today, I embark into new territory: children’s books. With the release of The Dragon Princess, I give you a book, unlike anything I’ve written before. To write for children is radically different than writing for adults.

The blurb

Love is love and dragons are evil or are they really? The Dragon Princess is a story about love and how it holds the power to transform even the coldest of hearts. A classic bedtime story for children of all ages.

Background

My son and I.

My son and I.

When my son was little, my husband and I were actively looking for books. Reading had been important to me when I was a child, and we wanted Sascha to be read to and to read by himself, too. We began to buy books, we were gifted lots of books and his bookshelf is well filled. But there are, at this stage, only two books that portray rainbow families and diverse love. Our son is five years old and he is starting to understand the differences between moms and dads. To him, having two dads is totally okay. It’s just the natural state for him, but just this morning he asked me if his mother was still alive. I know that he is trying to make sense of things, subconsciously. Ever now and then he’ll ask a question, and we’ve talked about this repeatedly.

Sometimes, it helps to have children’s books to help parents explain things. That was my starting point when I began to write about Valerius and Evander, the heroes in the book, two years ago. I wanted to create a series of children’s books where I could explore LGBT themes for kids, on a level they would understand.

Easier said than done

First, I wrote a text that encompassed sixteen scenes. I wanted to try and tell a classic fairytale. There are a lot of kids who love dragons and the struggle between good and evil. It needs to be a relatively simple plot, with clear-cut roles. And it needs to end well. Writing the first draft took a couple of hours, but I wasn’t happy with it. I don’t think I’ve ever edited and rewritten a text as many times as I’ve worked on The Dragon Princess. Sometimes I would edit the text several times in a day, then let it simmer for months. All in all, it took me over two years from the first draft to a final manuscript.

One of the amazing illustrations by Felicity Swan in the Dragon Princess.

One of the amazing illustrations by Felicity Swan in the Dragon Princess.

When you write for small children, pictures, illustrations are a given. Kids like to read along, and when they can’t read, the pictures is where they ‘read’. They see the words in the picture, and as you read, they try to find those words in the illustration. My son is beginning to read for real, and it’s only now, at the age of five that he’s showing interest in the letters for the first time, asking me things like: “does this mean…?” pointing at the words on the page. In Felicity Swan, I was lucky to find a great illustrator to work with.

A new genre, new audience, a new approach

Yeah, how do you market a children’s book? I live in a country where marketing toward children is strictly forbidden and frowned upon. I have always been a genre hopper. Maybe it’s the Gemini in me that always sees new and shiny objects everywhere. From romantic love stories to gruesome books about child abuse, discrimination against first nations to debilitating dementia, I’ve covered new topics in every book.

To me, branching out into children’s book was a small step. Difficult, but small. The biggest challenge for me is to find my audience. We’ll see how that goes. For now, my take is simple, hoping that my existing audience buys the book for the children around them, from their own offspring to grandchildren, bonus kids, nieces, nephews etc.

Front cover of my coming children’s book The Dragon Princess, releasing September 20, 2018

A great big thank you to my publisher…

It’s no secret that I am very happy with my publisher. They’re a small house, but they treat every book as a gem in its own right. I felt that The Dragon Princess was handled even more carefully than my adult writing. Working with me and the illustrator, they put in a ton of time to make sure the book would be as perfect as humanly possible.

There is so much work going into even something as seemingly trivial as a forty-page kids book, from web pages, publishing, paginating, layout, proofing, editing, to making sure it’s available on release day on every single of the dozens of sites (and distribution) that sell books.

Beaten Track Publishing has that little extra love for children’s books. As an author, having my work treated that way makes my heart skip a beat. Thank you! Have a look at their catalog of children’s books.

Valerius and Evander are now yours to treasure, I hope you enjoy their first adventure in The Dragon Princess!

Hans M Hirschi

Gender identity: biology, sociology, predestination or choice?

My first children’s book: The Dragon princess comes this week

Meet Felicity Swan, the illustrator who made it possible

Writing a children’s book has been my dream ever since my son was born. I just wanted to add something to his life that we as rainbow parents are hard-pressed to find. Our son already owns a good hundred books, and some of them are positively archaic, with moms by the stove and handy dads. Horrifying! He also owns two books out of a hundred where rainbow families or being LGBT are mentioned. One is And Tango Makes Three (of course!), the other one is Marlon Bundo (the good version.) I began writing The Dragon Princess a couple of years ago (!) when we only had the book about Tango, and I’m finally able to get it out. This week. Thursday. To make it possible, I needed a great illustrator. Dozens applied for the job, I finally decided to work with Felicity Swan. You’ll understand why. Let’s get to know this amazing artist. I sent her a few questions, and she’s generously answered those for us:

The Interview

Q: Who is Felicity Swan in her own words?

I’m a freelance writer and artist. I draw comics, illustrations, and write books.

Q: What is one thing you would like the world to remember you for?

When someone closes a book I’ve written, I want them to feel a connection to it. Whether its hopeful or feeling like they’re not alone in their struggles or even feel understood in some way. I hope they feel the same way I do when I read my favorite books.

Q: What got you into illustrating?

I’ve always been drawing from the time I could hold a pencil. I started taking it seriously after I got my associates degree and realized university life wasn’t for me. I wanted to find what made me happy, not what I thought others expected of me. I was good at writing and drawing, so I pursued those instead.

Q: What inspires you? Do you have any specific “style”?

When it comes to style, it depends on the work and the tone I’m going for. I don’t believe in being tied to any one style, but it’s all about effectively communicating with your audience. I’m influenced by a variety of artists: Art Spiegleman, Aaron Alexovich, Jason Brubaker, Hiayao Miyazaki, Yun Koga, and a variety of independent artists.

Front cover of my coming children’s book The Dragon Princess, releasing September 20, 2018

“First time I’ve collaborated on an illustrated book”

Q: One of the reasons why I absolutely fell for your style is the multi-faceted it is. I remember when you first sent me your sketches and how there was so much depth, so many layers or what I would call sub-text, but I guess it would be better to refer to just layers. How do you go about when you work with e.g. an author?

This is the first time I’ve collaborated on an illustrated book. When it comes to commissions and this collaboration, I’m usually given an idea of what someone wants – either a description or a set of images to work with. From there, I do my best to capture what the client wants, either through what they’ve unconsciously strung together through the images provided or from what I can get from their descriptions. For your writing, I was really drawn in by your use of contrasts in your descriptions – hot vs cold, young vs old, small vs large. So I used that as a base for everything – from colors to silhouettes. The parents have sharper edges than Valarius and Evander, both who have softer and sleeker designs. I wanted to have a contrast in warm vibrant colors for the protagonists and cold, darker colors for those affected by the curse.

“Ideas come from everywhere”

Q: Can you tell us a little bit about the process you work with, from idea to sketch to final rendering?

My ideas come from everywhere, to be honest – dreams, a simple idea, a “what if” thought, or even just a certain image or the way items are placed together. Heck, me misinterpreting a scene cut out of a show or game can lead to a cool story. Lately, I’ve been recycling old ideas in order to help flesh out new stories. When it comes to my comics, I’ll have a few ideas, I’ll write a summary, a few outlines, and then start the sketching phase where I start piecing things together or clearing up ideas and figuring out what I want the style to be. Some comics, I’ve had to leave off to the side and allow the idea to mature because I couldn’t think of an ending or I didn’t like the middle. Then I work on thumbnails (small mock-ups) of the pages, then I put my nose to the grindstone. Its a similar process for illustrations.

Q: Do you work exclusively with a computer or do you also illustrate on physical materials, e.g. paper, canvas?

I work mainly on my computer. When it comes to sketching or making “ugly sketches” I work on physical paper. My main medium is dry mediums. Thankfully, I was able to purchase a display tablet this time and my output has almost doubled.

One of the amazing illustrations by Felicity Swan in the Dragon Princess.

One of the amazing illustrations by Felicity Swan in the Dragon Princess.

Q: Toward the very end of our collaboration, you mentioned that you were visually impaired, which – if possible – increased my admiration for your work. Does your impairment influence your artistic expression, the work-flow?

All my life, I’ve had going blind hanging over my head. I’ve also had horrible depth perception and ocular migraines (lights and colors over my vision; not painful aside from eye strain). I think my first encounter with near-retinal detachment at the age of ten was a real wake up call for me and I started really pursuing writing.

“Four surgeries to prevent blindness in my right eye”

Before you commissioned me, I’d had four surgeries to prevent blindness in my right eye. There’s a cataract over that eye now and I’ll have surgery number five in the near future. It’s likely that, in ten years, I’ll lose that eye due to scar tissue. So, yes, it does influence my artistic expression – I feel a pressure to hurry and tell my stories. Not only that, but my near-nearsightedness makes seeing things far away difficult, so backgrounds and landscapes are tough for me. And having one eye to look through has done a number on my ocular migraines and made it harder to read books with normal sized text. I haven’t noticed too much of a difference with my drawing, though.

“It was about the shooting of Abraham Lincoln…”

Q: Was this your first project to work on a children’s book? If so, what is the takeaway for you? Did you learn something?

When I was a child, I drew a picture book called “Pikachu Goes to the Moon” haha! I wrote and drew a children’s historical fiction book when I was in junior high/middle school as an assignment for history class. It was about the shooting of Abraham Lincoln from the perspective of an orphan who overhears the shooter’s plans and tries to stop the shooting. Ever since my family has been telling me I should do more children’s books in the historical fiction genre. Once I’m done with the work I’m currently doing, I might look into it. Who knows?

Q: What is next for you? Any projects you can/wish to mention?

I have a long form comic called Final Break and I’m doing short comics on the side when I’m not doing commissions.

Q: Where/how can people find you?

Find me on social media:
Instagram / Twitter
Here’s a hub for all my links to my works, as well as my portfolio:
Portfolio
Feel free to feed my cat and help with cataract surgery:
Patreon (monthly subscription)
Ko-Fi (tip jar)

The Dragon Princess in what might become the “Valerius and Evander” series is published by Beaten Track Publishing and releases this week on Thursday. It is available as an ebook and on paperback from all your regular sources, including Amazon. Check it out, and read it with your kids, grandkids, nephews, nieces etc.

Here are the sales links:

Thank you!

Hans

Gender identity: biology, sociology, predestination or choice?

Social media fatigue is totally a thing, but what else can an author do?

Social media is still ‘da shit’, but I’m so over it…

I just listened to a podcast, a show I listen to regularly (and have appeared on, myself), and the guest talked about Instagram and social media, and how posting Instagram images with his significant other garners him a ton of extra likes. I can sympathize. I recognize myself in that. And I wanted to talk to you all about it. I’m an author. My passion is storytelling and as a writer, I tend to primarily use my words to pen them down. The whole process of selling, marketing and self-promotion does not come easily to me. I just don’t like to talk about myself. I don’t like to see myself on pictures, yet I realize that in order to succeed, I must.

When a new book of mine hits the bookstores, I love to see it featured in magazines, I like to see it reviewed, and I certainly don’t mind seeing it reach the #1 or #2 spots on charts around the world. There’s no author who honestly doesn’t appreciate their books being a success. What I don’t understand is that it takes me to make them successful. What’s wrong with the characters in my stories? Their relationships, the trials they face, the storyline? Why does my smile have to be the deal breaker for buyers, readers? And to go back to the first paragraph and that podcast, it’s not just the artist themselves, it’s their family, too. We are expected to also include our children, our partners, our pets and our homes, our vacation spots and dinner recipes when we post on Facebook etc. I really struggle with that. And I’ll get back to that topic in a minute.

Why I quit Twitter

I quit Twitter this summer, retiring for the second time (after 2010) from the platform. I no longer saw the value of it. It’s become a megaphone to yell out our messages, but no one’s there to listen. Your ranking on Twitter is determined by how well you follow back, but we all know that after a 1,000 follower threshold you’re done. You can’t really follow your stream anymore. It simply becomes unworkable. I had about 8K followers and followed about half that number myself. I never even looked at my stream, and I can only assume the same was true for most of my followers. Most posts are generated by bots who dish out ready-made stories, aka “valuable content” on our behalf, on a regular basis. Where’s the “social” in bots spewing out automated content into the vastness of the Interwebs? Huh? I quit, and I save time and money, but most importantly, I don’t think I’ve sold fewer books because of it.

My schizophrenic relationship with Facebook

I have almost two-thousand “friends” on Facebook. Needless to say that most are not my friends, not even acquaintances, because I don’t know most of them. When I, reluctantly, joined Facebook to help organize my husband’s 30th birthday party (long story), I quickly garnered my first thirty friends. I was excited. They seemed to be waiting for me. Those evil algorithms had me on the hook. Almost a decade later I have unliked all pages (and keep unliking things I liked, such as “classical music” also turned pages by Facebook since then) and I have left most groups, as Facebook turns all of those things into advertising hooks. The sad part is how stupid those algorithms really work. Just because I like a post or a page doesn’t mean I like the “phenomenon”, but to advertisers, it certainly seems that way, and they can push their adverts much more precisely. Those fools! Profit does Facebook, but not the advertiser, not unless their approach truly is “spray and pray!”

When strangers send me a friend request I usually accept, unless it obviously is a fake account or someone who’s only interested in me for a visa or my money. How am I to know who reads my books or not. It’s not as if they send you a message explaining why they’re friending me. I once asked a guy from the Philippines why he friended me and he said: “Facebook suggested it” #facepalm Is that what it’s come to? A stupid algorithm telling us who we would be friends with?

No choice really!

When you have as many people on your list as I do (and I’m far from the 5K limit), and you follow all of them, your stream becomes unmanageable, worthless. So I automatically unfollow people I don’t know. But even then, there’s no guarantee that I actually see stuff from my ‘real’ friends, or from people I know. Because Facebook’s almighty algorithms deem your friendship dead if you haven’t liked or interacted with someone for a while. Little do they know about personal human relationships… My best friends and I can go months, years even without talking, only to resume where we left off the last time. Facebook was supposed to make it easier to stay in touch, but with the constant assault of worthless snippets of lolcats, recipes, memes and what not, our brains just can’t deal and we actually think less about people we’re not constantly in touch with then we used to before social media, simply because there’s a multitude of people constantly occupying our minds. People we don’t really care about, people we do not even consider to be friends. Why thank you, Zuckie!

Unfortunately, I don’t really have a choice. Sure, I can delete my Facebook account and lose touch with everyone close (and not so close), but I’d also lose touch with my only true marketing channel. Although, I wonder, how many of those 1,800+ people I have on my friends list on Facebook actually see my posts? 100? 200? Do the right people see them? I can’t tell.

Where to draw the line?

I’ve written about marketing on numerous occasions before on this blog. On how sex sells to social media trends over the years. I’ve always been wary of posting stuff to Facebook (while I still had a page there) that was personal. I know of authors who work closely with their partners, heck I know of partners whose names are unknown, they’re simply known as “xyz’s hubby” or “xyz’s boyfriend” which is quite sad really, at least IMHO. They play a persona, and I know for a fact that their real lives are quite different from what they show online. Different personalities, different relationship dynamics etc. But they know that their audience is voyeuristic and that they expect to peep into their lives, their kitchen and, yes, their bedroom.

I’ve always kept my family out of my work, as much as I could. I know people are interested, and I’ve resisted. Am I simply an old fool? Old school? A fossil who doesn’t get social media? But how social is it to pimp out my son to an audience when he has no say over the process? My husband has been very adamant that he has no interest in being pimped out to my readers, and he gets quite upset when complete strangers send him friend requests. The stalking really gets to him. I can’t blame him. I wouldn’t be too thrilled if his employees suddenly began to send me friend requests.

What can we do? What’s the solution?

Photographing author Hans M. Hirschi in Central Park, NYC. May 1, 2017.Which brings me back to the podcast and the Instagram posts of a couple garnering more likes than the ones of a single person… Times are certainly changing. The question I’m facing is to what degree I’m willing to sacrifice my own privacy, my personal space, and integrity and go with the flow, to get those likes, catch those followers, make those book sales.

Feel free to comment. What is your take on social media in late August of 2018? Where are we heading? What’s the next big thing? I like to interact with my readers, I actually do, beats the heck out of simply being monitored in silence on Facebook. LOL, you can find me there as Hans M Hirschi if you’re so inclined, or here on Instagram, where I primarily look at pretty pictures of nature.

Hans

Release Day: The Dragon Princess, a children’s fairytale

I’m back…

Back from vacation, back in the saddle

Words! So powerful. As authors, we use them to create entire worlds. We elicit the strongest of emotions with them. We make people laugh out loud, we make them cry, we kidnap their attention for hours on end. As a linguist, I’m also painfully aware of the flipside of words, how deceptive they can be. That which may be oh so obvious to me may hold entirely different connotations, different meaning to someone else. Words can cause pain, intended or not.

Front cover of my coming children’s book “The Dragon Princess” about love being love. I love the way Felicity Swan has interpreted my text.

A month ago, I wrote a blog post which caused pain, completely unintended of course. For that, I would like to apologize. I have no control over people’s reactions, how people feel, how they choose to interpret my words. I most certainly did not intend to cause pain or even tears as it were in some cases. It’s been a month and the reactions still sometimes keep me awake at night. Some might find that a small consolation.

I stand by my message

I worked a long time on that blog post, and re-read it countless times. I do not regret writing it (quite the contrary) nor the message I tried to convey. You can go back on this blog and see that I have tried (unsuccessfully) to address the issue of appropriation and misrepresentation of gay men many times before, just as I have highlighted the importance of romance novels.

Sadly, to hold meaningful discourse this day and age is extremely difficult, not just within the confines of literature. In the past, when I’d use temperate words, I would simply be ignored, or patted on the back, and even though I really try hard to always see both sides of any issue, and after having thought to have built credibility in the industry over the years, I finally realized that you need to shout to be heard. That makes me sad. My message isn’t new, the delivery was. The shouting that came back, however, was somewhat unexpected. I’ll readily admit to that.

My second shitstorm, and what a shitstorm it was/is. Emotionally, it’s been difficult. Luckily, I left for a long vacation just a couple of days after publication and while I stayed away from most of it, the threats (including death) against me and my family caused me several sleepless nights. Thank big pharma for sleeping pills! Financially, it’s been a boon, as I’m literally saving thousands of dollars, euros and pounds that I was sponsoring MM events with, money swiftly returned to me as my name has apparently become so toxic that I’ve been declared persona non grata across the entire “mm” community. I choose to wear that epithet with pride. My family is most grateful for those funds that will be put to good use elsewhere. Always holes to stuff when you have small kids!

Let’s get things straight (for once…)

My coming fantasy novel is the first book in a planned series of three. A story for youths and teens primarily dealing with the big threats our planet is dealing with today.

I do feel strongly that I need to clarify a few things that have been claimed in the comments to the post and from (what I heard through the grapevine) online:

  • I do not hate women. Nothing could be further from the truth. My issue is with the misrepresentation and appropriation of gay men in MM, not the genitals of the person doing it. Dicks can be dicks, too, just saying!
  • I do not advocate censorship. We must make a distinction between our right to speak and our right to critique the message. I may not believe that some things should be said/written/published, but that is not the same thing as advocating to stop people from doing so. It is a most important distinction. The only time I may be advocating restrictions to free speech is when it directly incites violence.

There is a lot more I would like to say, could say, but at this stage, I won’t. I just don’t think I can find the appropriate words when everything I say can and will be used against me… The issues at hand are extremely complex and branch out into many different directions, from women’s rights to the definition of community and discourse in our time. Many issues need to be discussed, e.g. as we currently do within my publisher’s circle: the underrepresentation of women, non-binary and other main characters in fiction.

So many important, difficult and complex issues to discuss and analyze. For the time being, I will try to limit my contributions to smaller circles, where people are given the benefit of the doubt.

Last night, we returned from our annual summer vacation and I really want to get back to my work and try to put this behind me. I never felt I was part of the MM community, and now I have that in writing. My next two books are so far removed from everything “MM” that it will help cement that reputation: my children’s book “The Dragon Princess” and the first book in a fantasy youth series called “The Golden One”. I’ll be working hard on those two over the coming weeks.

Thank you,

Hans