The dedication of The Killing Spell. Certainly made my day…
A couple of months ago, I noticed a post on my Facebook wall. Someone had posted a picture from a book, thanking me and a couple of other authors for our help in making the book possible. I was intrigued. Rewind the clock another couple of years to 2016 when I was contacted by Shane. He had some questions about writing and publishing. I was happy to respond and connected him to a local South California writer friend of mine. We’ve been loosely in touch ever since, but the release of his book caught me by surprise. Seeing the dedication with my name made my day. I bought the book and asked Shane to sign it for me. After it arrived last week, I’ve finally had the chance to read it, even though I’m in the thick of publishing one myself, not usually a time when I read.
The Killing Spell is a youth novel in the Harry Potter tradition
Remember that first letter to young Harry Potter, inviting him to attend Hogwarts? That is exactly how The Killing Spell begins, with a letter to the main character in the book, Edward Peach. I won’t spoil the story. There are other similarities and Shane has cleverly placed his novel with references to the Potter universe and others. The big difference? Where there is no mention of any LGBT characters in Harry Potter (until way after every book was published and the money safely in the bank), Edward is openly gay. At least to the reader. He’s not really interested in going to the prestigious school he’s invited to, but goes anyway and soon meets another youth, merely mentioned as Mr. Andreas. His first name carries a curse and must not be mentioned.
I presume there will be more books about Edward and Mr. Andreas, as the story mentions fifth-year students. The language is carefully crafted to suit Edward’s very English background and a young audience. I’d have no qualms recommending this to kids ten years or older. The YA genre is a bit misleading because the books are typically written for teens or youths, not “adults”, young or not. It is what it is.
My very own signed copy of The Killing Spell
The language makes this an interesting read
Readers who are familiar with the wizard genre will quickly recognize themselves and the reading flows easily. I’ll be honest and readily admit that I’ve not read Harry Potter myself. This is not typically a genre I read. So I don’t know how Ms. Rowling crafted her books, nor am I interested in how Shane’s writing compares. His language is interesting and I’ve found myself more than once having to look up expressions that I was unfamiliar with. So thanks for those lessons in British and Australian English. Narrated in the first person, we get to know Edward intimately, his thoughts and dreams. As he often thinks about Mr. Andreas and the latter is a bit of a cumbersome expression to use frequently, Shane had to come up with quite a few synonyms to use.
To make being gay an integral part of a story is an interesting approach. Not because we are part of society, but because it’s so rare. In mainstream media, young LGBT character portraits are still largely revolving around the coming out, the discovery of their sexuality, e.g. “Call Me By Your Name” or “Love, Simon”, to mention two recent examples. To write a story about a character who faces adventures, and challenges despite being gay are most refreshing. Shane does an excellent job at portraying a youth who knows he’s gay but whose sexuality still has not come to bloom. The descriptions of a first kiss or a sleepover are so sweet and innocent, but yeah, very realistic. We’ve all been there, done that. Maybe not always this innocent. But let me reiterate: this isn’t primarily about Edward’s sexuality, but his innocent relationship to Mr. Andreas is at the center of the plot for reasons I can’t divulge without giving away the plot.
I read this book in three sittings but could’ve in one. I was positively captivated and wanted to find out what was going to happen next. The ending had me want more, and given that Edward only just got through his first year, I suspect there could be at least four more books to make this a really nice series. Needless to say, I’m curious as to what Shane will throw in Edward’s path next. We get to know a little bit about the school, the houses it’s made up from, etc. but there is not much detail and I was often left wanting to know more. Why is it this way? There will be plenty of filling out to do in subsequent books, should Shane write them, not only allowing for further character growth but also to expand the universe of Arcadia and Prymoutekhny Wizards Academy.
If you like to read fantasy books, or if your kids do, I highly recommend you to give this a chance. The Killing Spell is published by Deep Hearts YA and is available from all your regular outlets, including Amazon.
It’s happening right now, in a way we never thought possible…
I read the strangest article (in Swedish) in one of my regular newspapers, about pop stars, models and social media influencers that don’t exist. Think about that for a moment. There are artificially created people on Instagram and elsewhere, with photorealistic imagery that do not exist. Yet they have millions and millions of followers, some of them even publish songs. And at the same time, we have politicians all over the globe who lie more frequently than they tell the truth and accuse everybody who doesn’t agree with them to lie and label any news outlet who disagrees with them as fake news. And no, Donald Trump isn’t the only one. “Fake news” has become a thing for far too many politicians in every corner of the world. He simply “perfected” the act. Fake news is no longer about news which is incorrect, fake news is news you don’t like. What a fundamental shift in connotation, in just three years.
Fake people, fake lives, lies, and truth interchangeable, how are we as ordinary human beings going to survive this? How will we, as humanity, be able to overcome the threats to the very core of our society if we keep blurring the lines between reality and fiction, imagination and deception?
Not a new idea, or concept
I’m not the first person to think about this. And smarter people than I have been trying to show us possible outcomes for decades. Picture the Terminator and the threat of what AI could do to humanity. Or worse, The Matrix. These movies were all pre-Internet, and pre-virtual/augmented reality. I saw another flick called Player One a few months ago, which is a movie that actually does take place knowing where we are today, and it painted a bleak picture, too, albeit with a happy ending.
I’ve also read articles littered with examples of so-called “deep fakes”, of YouTube or news cast-style videos that were completely fake, with “real” people saying things they’ve never said. With our current level of technology, you can interchange Mother Teresa and Adolf Hitler, although that doesn’t really achieve much for anybody. However, what if say you could have a candidate for the 2020 Presidential campaign say something untoward? And what about someone who’s actually said something untoward being able to completely deny it? Even though the latter happens already.
It’s on the radio, it’s got to be true!
Many years ago, I was actively engaged in public access radio, which is a great way for ordinary people to express their opinions on FM-radio. More than once I encountered people who would complain about things said there, particularly if it was from someone who was from a rival political party or ethnic groups. Oddly, when I reminded them that it was our remit to transmit our own opinions, not state facts, I would often hear “but it’s on the radio!” as if the mere fact that they heard in through an FM-receiver somehow made whatever statement be the truth. I am afraid that we all suffer from that mentality, a little, and it’s enhanced when we hear it on TV, or from one of our elected officials, even though, these days, we can’t really trust anything we hear. We all have to double-check the facts.
Add to this the fact that more and more of us live our lives on social media, that people mourn the deception of so-called “friends” online, people they’ve never even met. How can anyone trust a complete stranger whose words you read on your computer screen, without the infliction of the tone of voice? Need I remind you of how quickly we descend into trolling when we think we’re alone and anonymous? It’s so easy to hurt people online, and it’s so simple to create misunderstandings when you don’t really know the person on the other end, do not understand what personality they have. Suddenly, the most innocent joke turns into the vilest of offenses and we “block” that someone, never to speak to them again. Virtually anything can create an online shitstorm. All among people who don’t know each other, not really.
Forget to like a friend’s post and you’ve begun your journey to forget them…
Then you have the algorithms of the various social media engines who ruthlessly serve you what is in their best interest, not what is in yours. Forget to like your friends umpteenth cat meme and they will slowly but surely wither away from your stream (and–sadly–your consciousness) replaced by advertisements for things you incidentally said to Alexa, Cordana or whatever other assistants you’re using or searches made or click-bait you couldn’t resist. We are manipulated online and it’s getting almost impossible to resist the allure of the almighty algorithm. Don’t believe me? Go have a look at what your interests are on Facebook, based on the site’s ad-settings on your profile. It’s not only a good idea to detox those hundreds (!) of “interests” every now and then, but some also provide a clue as to how the algorithms work and more than a handful of headshakes as to how stupid they actually are. No AI out there, yet!
Combine all of the above and you have a toxic cocktail. And as an author and creator of fiction, I wonder. Will I still be needed in the future? Will anyone still read my stories? My books? I do not know. If we start to live the fiction and use our personal lives to escape the harsh reality of this world, will fiction be there to bring us back to reality, after a long hard day in Escapia? Or will we become completely superfluous, no longer necessary since our own chosen realities surpass anything fiction could ever hope to offer? A world where every human is the main character in their own story, and we all walk through the streets with our 3D goggles on, eating at Klingon restaurants, being served by people we don’t look at, servers who think they’re serving us to the Minotaur of their own reality. Meanwhile, the puppet masters sit in their mansions enjoying the spectacle we’re making of ourselves.
Where will we be in a few years?
I don’t have the answer to any of my questions, but I worry. I wonder if humanity is equipped for the future we’re setting ourselves up for, or will we, given climate change and the potential for human conflict inherently part of it, be the end of ourselves long before we reach the full potential of that future?
What do you think? Feel free to comment and discuss.
My first planned trilogy was the most gratifying adventure
The final installation of the Golden One will be out 9/19.
When I create a trailer for a book, it’s a sure sign that it’s almost time to release it.I’ve created (amateurish) book trailers ever since I released Jonathan’s Hope in 2013. Although only six years ago, it seems as if it’s been half a lifetime. Seventeen trailers so far, the latest one created yesterday. It’s a hobby, and while I’ve become better at the technical aspects of it, I’m still a writer, not a movie director.
I recently met a real-life Hollywood producer and I’ve been thinking about which of my stories is most cinematic. Sometimes, people ask me about who I’d like to play a certain role, an answer I routinely refuse to reply, for several reasons: a) I don’t want readers to replace the image of the character they have with some random actor’s face and b) that decision I leave in the capable hands of the movie makers. They know better who’s a good fit for that role. IF any of my books ever make it to the silver screen. Having said that, I keep coming back to Willem and Jason, as two stories that might be predestined. Both are epic tales and I believe they’d both make for great movies.
Jason’s story is almost over
When I first met Jason, he was a pup, your typical teenager. Yes, being relatively poor had left its marks on him, but he was still relatively carefree and naïve. When I proofed the book the other day, thirteen months after having embarked on his journey, Jason was a different person. Weighed by the enormous responsibility placed so squarely on his shoulders, but also wise. There is a scene that I find particularly interesting, between Hannah, the first person who discovered his power, and Jason, at his house. In my eyes, it’s a key scene for the entire book, and I won’t spoil it for you. But when you read it, pay close attention to it, the change it showcases within Jason. Quite profound.
One of the things that scared me, as a writer, the most was the revelation that “no Golden One has ever returned from their final mission.” To write about people long ago, who are dead regardless, is one thing. But to speak of a human being who’s alive, right now, and to know that their life will end at the end of the story, is always difficult. I’ve done it a couple of times now and it’s always a painful thing to do. The advantage of this story was that I had a year to prepare for it and once I got to it, the story flowed easily, and the end of Reckoning is exactly what I had hoped for. I know, I know, it’s ugly to praise oneself, but I’m really pleased with this one. LOL
What’s happening between now and September 19th?
The manuscript is still going through extensive proofing, and I will certainly read through it at least once more. But there are several pairs of eyes on the manuscript. The other day, I sent the manuscript to Vance Bastian, who’s my narrator. Books one and two are already out as audiobooks, and I hope to have the third one ready in time for the actual release of Reckoning on September 19.
Preorders for the books are already available. Unfortunately, there are no preorders available for the audiobook version.
What else is going on in my life?
I’m about to head out west, to Washington, DC, for OutWrite 2019, the annual writer conference in the U.S. capital. I’ve never been, but I hear good things. I have a reading on Saturday, themed “Revelations”, and I’ve chosen snippets from Disease, Willem of the Tafel and Blooming which I think might work well. Three very different stories and they’re all scenes that contain revelations of some sort.
If you’re anywhere near DC, it would be great to meet you. I’ll also be selling my books at the event, including Spanish Bay, with the all-new cover. See you in DC?
Yesterday, I got a message from my editor. It was simple:
Suddenly, it dawned on me that Debbie wasn’t just commenting on my lifestyle but also letting me know that she’d begun to edit the third and final book in the trilogy about Jason Mendez. I swallowed hard before being able to chat a bit about my eating habits pre and post-Reckoning. It’s funny how every time I end up in this situation, I end up being a nervous wreck.
My editor is the first person to read my stuff after I send it off to my publisher. And her judgment means everything to me. Not just that she could pull the plug on publishing it (“This is the biggest piece of shit I’ve read in a long time…”), but Debbie is a successful and acclaimed, award-winning author in her own right. For her to like my work means a lot. The coming weeks will be painful. The waiting game isn’t my forte. I want to talk to her about it, want to discuss why this was done that way or why the ending is the way it is and not done differently.
Writing a series is different than writing a stand-alone
The final installation of the Golden One will be out 9/19.
Reckoning is my twentieth full-length book. But it’s also book three in the series, and unlike some series which are held together loosely by a common theme (e.g. playing out in the same town), the Golden One is actually one story, spanning across more than two hundred and ten thousand words. When you write a book and you know that there will be a continuation of it, the ending of the first book will always be more “open” than if it had been a stand-alone. When Blooming (book 1) came out, I hadn’t even begun writing book three. I had no idea where the story would take Jason at the end of book 2, let alone how it might end.
Blooming starts off nice and easy with a challenge that creates the bond between Jason and his friends, a local environmental crisis they need to solve. Yet already in book one, we realize that this cannot possibly be the biggest thing that’s in store for our heroes. For the longest time, I was wondering who Jason’s nemesis would be. Given previous challenges that Golden Ones had faced, a dictator or powerful president seemed close at hand, yet I did want to stay clear of the pitfalls of politics. I had to find an enemy as powerful as Alexander the Great or the emperor of China of old but within a contemporary setting.
About half-way through book two, things began to clarify, but I still had no idea how the series would end. That didn’t become clear until I finally got to it. At the beginning of book three, I had two different endings in mind, and they both had merit. As my writing progressed and I got closer and closer to the end, one of the endings faded into the background and only one remained. It’s epic, logical and just what the book needs in terms of what the message is. I’m sure it will have readers glued to their chairs reading and thinking about it for a long time. In hindsight, the series ends the only way it could end, staying true to the premises and canon established in Blooming. I’m very pleased with it, if I may say so.
Every book should be better than the last
I think you can ask just about any author with a few books under their belt and they’ll confirm that they try hard to make sure that their next book is just a little bit better than the previous one. Whether it is a grammar lesson we’ve learned, or whether we’ve become better at doing research, or if it’s just an extra round of self-editing before we send it off to our publishers. We may also strive to improve our literary aspirations, challenge ourselves to write in a new genre, etc.
It’s a never-ending challenge, and for every grammatical improvement I make, I seem to find new ways to screw things up. Debbie always says something along the lines of “this is this book’s repeat error.” I blush, ashamed of having found yet another thing to get wrong. Hopefully, I don’t make old mistakes again and again. Rookie mistakes like changing voices mid-paragraph or simple errors like mixing up virtually with literally. I’ve literally fallen for that! Clichés, silly metaphors, etc. are other ways to screw up a manuscript to the editor’s red pen’s delight. Then there are other things which we tend to forget: inclusivity, diversity or why not challenging our own preconceptions? We may use characteristics that are offensive or racist and sometimes, this is particularly true for non-native speakers like me, we use expressions which may be innocent in one of the languages we speak but not in the one we use to write in. A great example is the Swedish ex-chairman of BP who used the expression of “small people” during a press conference in the White House. Not offensive in Swedish but very much so in the US, especially in the context he used it, to describe “normal, average working-class people.” So yeah, words do matter.
Time table for Reckoning
Every manuscript goes through a bunch of stages with the publisher. There are rounds of editing, a ping-pong game between editor and author, followed by proofreading by a number of people, including the editor and author, but also external sets of eyes who are better equipped at seeing the trees in the forest. The publisher also formats the books for printing and distribution across e-platforms and typesets it accordingly. Each publisher uses their own fonts, have their own layouts, etc. Then there’s the cover design. We already have the cover for the ebook, but the paperback cover has to wait until we know exactly how thick the spine is going to be and what the back matter will look like. It’s down to the mm.
Then there’s the narration of the audiobook. Not only does it take time, but it has to hold off until the manuscript is “stable” enough that we’re down to pure proofing changes. Vance Bastian, my narrator for the Golden One may not be hindered by a typo, but ACX may not appreciate it if he narrates “desert” only for us to later change it to “The Gobi” or whatever. Also, the final quality review of an audiobook is a bit of a black box, hit and miss, and takes up to fourteen working days. Depending on how weekends fall, or public holidays, you might be in for quite a wait. And they don’t allow for set publication days, at least not for us small niche players. So we try to do the math backward from the publication date of the actual book to try and make sure the audio version is available on a specific date. Not easy. But by September 19, 2019, the paperback and the ebook of Reckoning will be available for global distribution. The audiobook should be ready within a few days thereof.
Jason’s journey will be complete. And I can’t wait for you to read and enjoy it.
No, it’s not because I write beautiful prose, capturing my audience from the first paragraph. Nor do I write tart poetry that puts readers in touch with their innermost emotions. I wish. Instead, it’s my personal life that resembles that of the stereotypical author: I’ve become a recluse. A hermit. I readily admit that I’m most comfortable in my own company. I wrap my loneliness around myself like a blanket on a cold winter’s day. It’s comforting, it’s mine.
Once upon a time…
Johnny Begood, up to no good
There was a young man who thought himself to be an extrovert, a man who loved crowded cities and to meet new people. All the time. What the young man failed to realize (or admit to himself?) was the fact that those interactions were costly. Afterward, he’d feel exhausted and he would often slump into a what might best be described as a depression, or at least a “low”. It would take days to get out from under the rocks.
But he loved to slip into characters, to play someone else (safe, right?) and be outgoing, entertaining, the proverbial “life of the party”. Here (to the left) is a photo from one such event about fourteen years ago, happy times in Budapest, before the country descended into near-fascism under the rule of Victor Orbán. Here we have our author playing his evil (heterosexual) punk-rock twin.
I still remember it all, vividly, the things I did in character, things which would probably be considered sexual harassment in these post-#MeToo days, and I guess I’d have been slapped across the face more than once had it not been for the fact that my co-workers knew that it was all an act and that underneath the mask of that crazy punk rocker was an innocent gay boy, happily married. I even joined and sang (sic!) with a band that night, even though I had no idea what they were playing and despite the fact that I had never sung before and without a clue what the lyrics were. But we seemed to be quite the hit with the crowd, probably buoyed by the copious amounts of alcohol flowing all evening.
Her Majesty took the prize
Her Majesty’s groupies. My feigned disinterest was actually fatigue and a splitting headache.
Since then, I’ve only been “out” in character one more time, four years ago, and I will be honest and say that the price was far too high. As successful as the performance was (from a strict marketing point of view), the cost was crushing, mentally and emotionally. From the near-constant sexual assault by the many females in the crowd, and the neverending onslaught of people on my persona, I was barely able to keep a straight face and had it not been for my character, I would’ve fled the scene long before the two-hour mark after which I returned to my room utterly exhausted.
It must’ve been then that I “relabeled” myself, into an ambivert, someone who is a bit of both, extrovert and introvert, stuck in the middle, outgoing at times, but in desperate need to recharge the batteries in between.
From extro- to ambi- to introvert
I must have been fooling myself, like the little gay boy who feels safer coming out as bisexual rather than gay right away, failing to see that he’s thus only hurting those who really are bisexual. But that’s another story. I think it is high time that I admit that I’m a full-fledged introvert. But how did that happen? Has it been these past nine years of working alone from home? The lack of people to socialize with on a daily basis?
Alone. This is how I feel best right now.
Or is it because I’ve just spent ten days in the company of guests? Literally 24×7 with no privacy? I don’t know, but when I left the gym yesterday, after spending the first two hours alone in almost two weeks,
I felt this overwhelming sense of relief, of finally being able to breathe again, and then it struck me that I was about to head into the worst day of my year, as a friend reminded me of having to call me tomorrow. Given how much I hate attention, my mood quickly spiraled downward.
Suddenly, I felt like I was choking. I couldn’t breathe and I was panicking. How would I get out of all this? So today I’ve been offline. My phone’s been disconnected, and I’ve refused to check certain social media, particularly messaging apps. I. just. need. to. be. alone. On the upside, I wrote several thousand words today. That was nice. And I had a great walk into the forest.
Obviously, I know I can’t. My husband will be home in an hour. So will my son. They don’t count, quite the contrary. Their daily homecoming is most welcome and I feel that I can be myself in their company. But everyone else better stay away or things could get nasty. I’m like the evil version of Annie Wilkes. I can be very protective of myself…
On the other hand, I still look forward to meeting people, and there is still part of me who longs to be social, to be out there, particularly when I guide guests and show them my town. Not sure what role I slip into, but that has never been a problem. At the end of the day, I can always take off the Hans-suit and be myself again. Strange, but I’m sure Paul Sheldon would be proud of me.
My subconscious, asking the questions no one else could think of…
Over the years, I’ve given a great many interviews, and I’ve answered a lot of questions. Most were predictable, kind, polite, some were naughty, some did catch me off guard. Some interviewers send questions ahead of time, to make sure you have the opportunity to think about a good response. Today, I’d like to try something else, asking myself questions, just like that, what comes to mind. Not sure this is going to work, but I hope it’ll be an honest interview because if I lie, I’ll know. LOL
Going straight for the jugular, are we? Yikes. Well, I did write a few hundred words earlier today, but to be honest, my mind wasn’t in it today. Not sure why. There’s a certain amount of procrastination involved. I was also preoccupied with some personal, financial stuff, and my guiding business which I spent some time on.
Just an example of how alternative communication can look like. I’ll need to incorporate some form of that into the book.
But the real truth is that I’m scared. Afraid I won’t do Matt justice, and he’s not been talking to me, really. Not for a few days. I had this amazing meeting last week, where I was learning about alternative forms of communication, and walking away from it, I was super inspired, but then I got scared. Scared to screw things up, scared to write poorly. I always endeavor to improve my game, for the next book to be better than the previous one, and I feel it’s becoming increasingly difficult, mentally. The more critical I am of myself, the bigger the hurdles to open the file and write. I’ll get there. Just give me a few days.
You have no deadline for this. Does it affect you?
Not sure. Could be. Then again, I’ve hardly ever had to write toward a deadline. I’ve never participated in something like NaNo. Just not my thing. Then again, I want the book to be out next spring which means it’ll have to be done and with my publisher before the end of the year. Having so much time is unusual. So yes, maybe that helps with the procrastination. You know the aegis, right: “That which you can do today, postpone right away!”
How does the public debate on various topics influence you?
It depends on what the subject is. Let’s say “Brexit”… That has no influence on my writing at all. But there are things in politics around the world that might find their way onto the pages of my books, e.g. the environment, global warming (The Golden One.) Sometimes it can be a discussion on Facebook (here’s one example), e.g. there has been a debate in the past year or so about bi-visibility in books, TV, and films which have been on my mind.
Lucifer Morningstar, the devil himself (which incidentally makes hell look like a much nicer place than heaven), is portrayed as very bisexual in the series with the same name, or should I say pansexual, given his inclusion of non-human lovers? Labels, another post entirely! In any case, I find it highly refreshing that he also has sex with men, even though the show focuses on his relationships with the “detective” and lately, Eve.
I think about how my characters (I’ve only ever had one character who’s openly bi in one of my books) and what I can do to help the community to feel more included. It’s also had me think a lot about how I interpret bi characters when I read/watch. Am I disappointed when a male bi character suddenly hooks up/ends up with a woman? Why? Do I gay-wash him when he’s with a guy? What are my feelings about bi people in general? Should I include one (and the debate) in one of my books? I just had this idea to let one of my characters in my new book be openly and unabashedly bi (and have it out with an ex.) That could be a cool scene if it works with the rest of the book.
Visibility, the true representation of all kinds of diversity are important in books.
Any other topics that influence you?
Of course. Mostly topics that somehow have a bearing on my personal life, my relationships, my family. Feminism is always on my mind, women’s rights in general. Voting, representation, discussions about abortion, women’s control over their own lives, their bodies, how women themselves often seem to have opinions about what other women can/should/cannot/shouldn’t do. #MeToo is often on my mind, too, not just because I’m a rape victim myself, but because I often see how women react to me, a middle-aged man, when we meet in a solitary situation, the fear, the momentary stop in their walk, and I can virtually read the look in their eyes “is he a rapist, or not?”
Children are also something I think about, a lot. My son, his development. The differences between my upbringing and his. The fact that he already reads, is good at (simple) math, all the things he knows about the world, cultures, etc. A full year before I even started school. But I also worry, about his chances in life, given how the labor market changes, the global competition these days, how global warming may threaten his future and that of all of humanity. To name a few things constantly on my mind.
You’ve thought a lot about Haakon recently, and his time in Paris. Do you know why?
This is one of my favorite sights in Paris. Why? Hard to explain, but this is the spot of a key scene in “The Fallen Angels of Karnataka”
Is it presumptuous to say that The Fallen Angels of Karnataka is my most important work to date? I like to tell myself it is. I remember so well how long it took me to get back into the “zone” after The Opera House. Then I read a book by Larry Benjamin, who’s also published by Beaten Track, and I got this idea to write about travel, a classic travel novel, you know like Jules Verne, minus the Nautilus. But then, Michel happened, and after that, I was emotionally drained, and it was downhill from there.
So when the cathedral burned a while ago, I began to remember all the scenes of Michel and Haakon in Paris, the romance, the discussions, the illness and–last not least–Michel’s passing, which still is my all-time favorite scene in any of my books. And still, even after all these years, I can’t read it without crying. Michel died too soon. Plus there have been articles recently about the first ever HIV patient in the west, possible cures and what not, plus Norway’s national holiday last week. There have been a lot of reminders. It doesn’t take a lot to get this brain going…
So it seems. Even the tiniest little bit gets you to think about “stuff” you’ve experienced?
Yes. Literally. Anything. I can listen to my favorite podcasts and suddenly my mind wanders. I honestly don’t know how other people tick, but my mind is triggered by any- and everything. Not always, of course. But a lot of things. One shiny object leads to the next.
How do you focus?
That’s not fair. I can’t even answer that question. It is really difficult to quiet my mind, to get you to shut up for a while. I’ve recently discovered that not drinking coffee in the afternoon helps, at night anyway. When I wake up because of a noise or old-man-issues, I can fall back asleep quickly. But during the day, in order to write, I really need to be in the zone, to hear the characters talk to me from the depth of “you”. That way the rest sort of fades into the background.
Research is valuable, it helps me focus, having a task to complete. That sort of stuff usually keeps me single-minded. At least for a little while. I can be extremely productive and I work very fast…
And I guess it helps if I don’t have any other stuff going on that I need to worry about. Sadly that doesn’t happen all too often.
Willem has also been on your mind recently. How come?
Elections in South Africa, lots of articles and features on the country, putting things back on my mind. Plus I wonder at times if my “dystopian” predictions of how WWIII comes to pass are true if it really is global warming and the displacement of large segments of the global population that trigger it all. S’all. Just crazy me. Plus I really like Willem. He’s a bit of a role model. The perfect human. I wish I were more like him.
What about Jason. Why are you still thinking about him?
Okay, that’s not fair. I could just say that it’s because the final book isn’t out yet. But that’s not the only reason. The whole picture is a bit more complex. When I began writing about Jason, I had this notion of a movie in the back of my mind, and I can’t shake the feeling (and I’m probably jinxing it this very moment) about how cinematic the story feels. Maybe I suffer from megalomania (and I’m being way too open and honest right now), but I’d love to see it turned into a movie. I see all those fantasy books turned into movies and I wonder if The Golden One would work, too, or if there isn’t enough blood and gore in it. But I also wonder what would happen if a movie would be tremendously successful. JK Rowling wasn’t done with Harry Potter when she finished the series, yet she still ads new books to the “universe”, these weird prequels. Game of Thrones simply continued where the books left off. I guess that is where I’m at right now with Jason. Preposterous, right? I just see him where he is at the end of book three and (I can’t say anything) I wonder about the ending. How open is it?
Are you open to writing a fourth book? A fifth?
See, I can’t answer that question without giving away something that shouldn’t be out there. Yet. So no comment. For now.
But you’re thinking about it? Would you be open to re-writing the ending to make it happen?
*poker face* I, uh, okay, yes. I’ve been thinking about writing more. No, I would never rewrite the ending. It’s perfect as it is.
Okay, let me ask you about Matt… I sense a close relationship with his personal assistant. Where’s this going?
Not sure I can answer this yet. Matt certainly has feelings for Timmy. But I’m not sure those are answered. Certainly not in a romantic way. But I’m not finished yet, or let’s say you and I aren’t finished thinking about it yet. There are things to consider, such as how appropriate it is for a personal assistant to have a relationship with a patient/client. Besides, would Timmy fall for Matt? I have my own set of preconceptions and prejudice against people with severe disabilities that I’m working through. What makes someone attractive? To whom? Why? And how credible would that be? Let’s just say this is contributing to my procrastinating. This is one of the most difficult aspects to work through for me because I know that Matt loves Timmy. But yeah, the rest is up in the air. I have a lot of issues to work through.
So you’re being an asshole?
*blushes* I guess?
How do you envision this working out?
You’ll be the first to know when the words begin to appear on the screen. I really can’t say if they end up as friends or a couple. I honestly don’t know. But whatever happens between them will be a good thing because it’ll be the end of the book. It’ll be realistic, believable and relatable. Hopefully, I’ll have my shit sorted in time.
Any final thoughts?
Do I really want to publish this? Think this might backfire? Does anyone care about my ramblings with myself, basically?
Nice deflection, answering a question with questions. I guess we can call it a day…
Thanks for keeping me honest. Still not sure if this is such a good idea.